AES GERMANY

Raum & Klang 2025 – Spatial Audio Network Conference
2025-06-19 00:00 - 2025-06-20 23:59 (Europe/Berlin) | ZiMMT (Zentrum für immersive Medienkunst, Musik und Technologie), Torgauer Straße 80, Leipzig, 04318, Germany
“ZiMMT invites to the RAUM+KLANG conference. Meet leading experts, pioneers and visionaries to rethink the future of immersive audio technologies and set groundbreaking impulses.

RAUM+KLANG combines knowledge transfer and networking at the interface of music technology, audio engineering, XR development and cultural industries – from live music and club culture to the performing arts.

RAUM+KLANG connects local players with international partners to promote interdisciplinary exchange and jointly set new standards in the world of immersive audio technologies.”

Explore the full program here: Raum & Klang 2025 Program

Discounted Tickets for AES Members

A limited number of discounted tickets is available for AES members!

If you’re interested, please send an email to mail@aesgermany.org with the following details:

Email subject: “Raum & Klang 2025”

Your full name

Your AES membership number

You will receive a voucher code for a discounted ticket.

Call for Contributions to tmt33
2025-06-10 00:00 - 23:59
Last chance to contribute to tmt33!

The Call for Contributions closes June 10, 2025.Whether you’re in broadcasting, film & television, hardware, or research, share your work at the 33. Tonmeistertagung from 12 to 15 November 2025 at the CCD in Dusseldorf!

Link to the call here!

Recording to Mix to Master | Audio Engineering Society (AES)
2025-05-26 18:00 - 20:30 | Ableton AG, Schönhauser Allee 6/7, Berlin, 10119, Germany
Recording to Mix to Master | Audio Engineering Society (AES)Another AES Germany Berlin event is just around the corner! This time, Ian Corbett and Maggie Luthar will be talking about mixing and mastering.

Ian Corbett will discuss recording and mixing a live jazz club project – including aesthetic goals, methodology, challenges and (hopefully) solutions; and how to turn a live, essentially acoustic project into an interesting recorded production, balancing faithfulness to the genre, with creativity and contemporary expectations.

Maggie Luthar will then talk about and present audio examples of her approach to mastering a project like this – goals, thought process, and processing used – as well as things to consider when mastering a high dynamic range album.

Dr. Ian Corbett is a professor and coordinator of the audio engineering program at Kansas City Kansas Community College. He also owns and operates off-beat-open-hats LLC, providing live sound reinforcement and location recording to mainly classical and jazz groups around the Kansas City area. As an author, his book “Mic It!” is in its second edition, published by Focal Press. www.offbeatopenhats.audio

Margaret ‘Maggie’ Luthar is a cutting engineer and mastering engineer in Los Angeles. Maggie cuts at The Lathe Room and masters music at a facility she operates with mastering engineer Ian Sefchick called Dark Sky Mastering. She’s also a freelance audio engineer for National Public Radio (NPR). www.darkskymastering.com

Reserve your seat here!

AES EUROPE WARSAW, Poland
2025-05-22 00:00 - 2025-05-24 23:59 | ATM STUDIOS, Warsaw, Poland, Wał Miedzeszyński 384, Warszawa, 03-994, Poland
https://aeseurope.com

Die AES Germany vergibt unter den Mitgliedern aller deutschen AES Student Sections 3 Ticket-Zuschüsse im Wert von jeweils 100,- €. Regel: Wer zuerst kommt , malt zuerst. Einfach hier Klicken zum Bewerben …

[engl]The AES Germany is giving away 3 ticket scholarships worth €100 each among the members of the AES german student sections. apply here …

ATM STUDIOS

WIEN: 3D-Audio-Seminar von Lasse Nipkow
2025-04-29 00:00 - 2025-04-30 23:59
mehr dazu …

Ort: Studio 2 / ORF RadioKulturhaus in WienDie AES Germany vergibt unter den Mitgliedern der AES German Section und allen 7 Student Sections 3 Ticket-Zuschüsse im Wert von jeweils 120,- €. Regel: Wer zuerst kommt , malt zuerst. Einfach hier Klicken zum Bewerben …

[engl]The AES Germany is giving away 3 ticket scholarships worth €120 each among the members of the AES german section and all 7 student sections. apply here …

The rule: First come, first served. apply here …

SALS @ HTWK Leipzig - Die Spatial Audio Listening Session kommt nach Leipzig
2025-04-25 16:00 - 18:00
Liebe Interessierte, Kolleginnen und Kollegen,

In Kooperation mit dem Referat Nachwuchs des VDT und der HTWK Leipzig, laden wir euch am 25. April 2025 ab 16 Uhr zur ersten Spatial Audio Listening Session (SALS) in Leipzig ein. Wir treffen uns in gemütlicher Atmosphäre im Medienzentrum der HTWK Leipzig um Spatial Audio-Stücke zu hören und uns bei einem Kaltgetränk locker darüber auszutauschen. Seit dem Sommer 2024 finden im Tonlabor der HAW regelmäßig SALS statt, erfreuen sich steigender Beliebtheit und konnten inzwischen eine kleine Community gewinnen – höchste Zeit also, diese schöne Veranstaltung auch in weitere Locations zu bringen. Wir freuen uns daher wirklich sehr, dass wir Lucca Riitano und Leon Sundahl für die erste SALS in Leipzig gewinnen konnten.

Wenn ihr euch für Spatial Audio interessiert und schon immer wissen wolltet, wie bereits vor 70 Jahren beeindruckende Raumklangkompositionen produziert wurden, bietet euch die SALS eine Möglichkeit, Inspirationen für eigene Projekte zu sammeln und Stücke kennenzulernen. Wir begeben uns dieses Mal auf eine Reise und erkunden, wie frühe Mehrkanalproduktionen in den 1950er Jahren klangen, stellen fest, dass Ambisonics bereits in den 1970er Jahren ein Thema gewesen ist und was es mit Dolby Atmos auf sich hat.

Im Vorführraum des Medienzentrums können zahlreiche Formate wiedergegeben werden, von quadrophonischen Stücken über 5.1 Dolby Surround und Dolby Atmos bis hin zu Ambisonics 7th Order.

Für die Teilnahme meldet Euch bitte unter rg-leipzig@tonmeisterverband.org an, da wir nur 15 Plätze anbieten können. Es besteht im Anschluss an die Session die Möglichkeit, sich in lockerer Runde weiter auszutauschen sowie Inhalte und Wünsche für weitere Sessions zu suchen, denn natürlich soll und wird es auch in Leipzig weitere SALS geben …

1. SALS @ HTWK

Freitag, 25. April 2025, 16.00 bis ca. 18.00 Uhr

Medienzentrum der HTWK LeipzigGustav-Freytag-Straße 40A04277 Leipzig

Wir freuen uns auf Euch

Christian und FelixLeitung der VDT Regionalgruppe Leipzig

Spatial Audio Listening Session @AES Student Section Hamburg / HAW Tonlabor
2025-04-18 16:00 - 18:00
Liebe Interessierte,

die SALS meldet sich aus der Winterpause zurück.

in Kooperation mit dem Referat Nachwuchs des VDT, laden wir euch am 18. April ab 16 Uhr zur Spatial Audio Listening Session (SALS) ein. Wir treffen uns in gemütlicher Atmosphäre im Immersive Audio Lab im 3. Stock des Neubaus der Finkenau 35, um Spatial Audio-Stücke zu hören und uns bei einem Kaltgetränk locker darüber auszutauschen.

Über die mehr als 30 Lautsprecher des Immersive Audio Lab können zahlreiche Formate wiedergegeben werden, von quadrophonischen Stücken über 5.1 Dolby Surround und Dolby Atmos bis hin zu Ambisonics 7th Order.

Dieses Mal beschäftigen wir uns wieder mit der Quadrophonie und steigen konzentrierter ins Thema ein, als bei unserer Session im November. Wir nehmen uns Zeit für zwei Gesamtwerke und hören uns diese in Gänze an. Zwischendurch wird es natürlich, wie immer, eine kleine Pause geben.

Die Teilnahme ist nur mit Anmeldung unter dieser Mail hamburg-student@aesgermany.org möglich, da wir nur 15 Plätze anbieten können. Es besteht im Anschluss die Möglichkeit, sich in kleiner Runde weiter auszutauschen.

Leitet die Einladung gerne an andere Interessierte weiter 🙂

Liebe GrüßeAES Student Section Hamburg

30 years - prolight+sound – VDT+AES @Studios 301
2025-04-08 00:00 - 2025-04-11 23:59
https://pls.messefrankfurt.com/frankfurt/en.html (engl.)

The run to our limited Prolight+Sound voucher code bank did start. Just give us an email to apply for one and let us know whether you are interested to join our AES after-show event. (Tuesday 18:00, see below)

Find more prolight+sound audio related news on proaudio.de

Free pls apply via email to us for a voucher and register in advance.

Liebe Audiointeressierte aus Frankfurt und Umgebung,

wie bereits in der Nachricht zum Audio-Technica Event diesen Freitag angeteasert, treffen wir uns wieder am ersten Abend der Prolight & Sound Messe beim Get-Together – B2B Branchenmeeting in den Studios 301 bei Ulli Schiller. Die VDT Regionalgruppe Frankfurt wird ebenfalls mit ihrem Stammtisch anzutreffen sein.

Anmeldung unter dem unten stehenden Link.

Wann: Dienstag, 08.04.2025 ab 18:00 Uhr

Wo: Studios 301 – Frankfurt am Main, Hanauer Landstr. 172 |

Google Maps Link

Anmeldung: https://forms.gle/AUeauTkQHLNJduot5

Wir freuen uns auf das Event sowie euer zahlreiches Erscheinen!

Mit besten Grüßen

Till Gerneth AES Germany – Frankfurt Regional Group Leader frankfurt@aesgermany.org

Frankfurt: regional group networking @Audio-Technica
2025-04-04 11:00 - 16:00
Liebe Audiointeressierte:n aus Frankfurt und Umgebung,

Los geht‘s mit dem ersten Event für unsere Regionalgruppe in 2025: Es geht zum Audio-Technica Vertrieb (Martin Audio, Allen-Heath, Clear-Com und weitere) in Mainz zu einem Tag gefüllt mit Impulsvorträgen, Hands-on Demos und Netzwerkmöglichkeiten! Lasst uns mit Herstellern und Vertrieb ins Gespräch kommen, hier kann man immer etwas dazulernen. Für Verpflegung wird gesorgt sein, die VDT Regionalgruppe Frankfurt ist ebenfalls mit eingeladen!

Die Details und die kostenlose Anmeldung findet ihr unter dem Link unten. Mit der angehängten .ics-Datei könnt ihr das Event gleich in eurem Kalender speichern.

Wann: Freitag, 04.04.2025 ab 10:00 Uhr, Workshops 11:00-16:00 Uhr

Wo: Audio-Technica Deutschland, Peter-Sander-Straße 43C, 55252 Mainz-Kastel |Google Maps Link

Anmeldung: https://www.eventbrite.de/e/proaudio-insights-bei-audio-technica-tickets-1232774163709?aff=oddtdtcreator

Die Plätze sind begrenzt – wenn die Tickets ausgebucht sein sollten gebt mir bei Interesse kurz eine Info.

Wir freuen uns auf das Event sowie euer zahlreiches Erscheinen!

PS: Zur Prolight + Sound könnt ihr euch schon mal den 08.04.2025 abends freihalten, hier wird es voraussichtlich direkt das nächste Get-Together geben.

Mit besten Grüßen

Till GernethAES Germany – Frankfurt Regional Group Leaderfrankfurt@aesgermany.orgAudio Engineering SocietySection Germanymail@aesgermany.orgwww.aesgermany.org

DAGA 2025: Wiki.audio: collaborative platform for interactive web-based education
2025-03-19 14:20 - 14:40 | BELLA CENTER COPENHAGEN, Center Boulevard 5, Copenhagen, DK-2300, Denmark
Wiki.audio: collaborative platform for interactive web-based education

Malte Kob, HfM Detmold, Erich-Thienhaus-Institut

Wednesday, 19 March 2025 from 14:20 to 14:40

in Vesterbro (B3M2)

Within the “Stiftung Innovation in der Hochschullehre — StIL” Fokus project “Aufbau eines Redaktionsnetzwerks für eine kollaborative, multimediale Online-Enzyklopädie für Akustik- und Audiothemen” and in collaboration with two DEGA projects we have jointly developed a number of online tools that extend the possibilities of a media wiki towards interactive use of sound synthesis, scales of various temperament, multichannel audio playback, and the inclusion of related acoustic simulation applications. All tools were developed jointly among teachers and students in several academic institutions and were implemented by a professional programmer. Currently, as a renowned reference for formulae and terms in acoustics, the “DEGA Empfehlung 101” is being included in a wiki-based format. The content can be used in academic teaching and for course work free of charge. The developed framework is open for professionals, lecturers and students as new authors. wiki.audio also provides a platform for your existing teaching material using “guided walks” through selected pages. In the presentation some of the interactive features will be demonstrated.

DAS/DAGA 2025 - 51st Annual Meeting on Acoustics, March 17-20, 2025
2025-03-17 00:00 - 2025-03-20 23:59 | BELLA CENTER COPENHAGEN, Center Boulevard 5, Copenhagen, DK-2300, Denmark
Dear colleagues and friends,

On behalf of the organizers, we are delighted to welcome you to the first joint annual meeting of the German and Danish Acoustical Societies, DEGA and DAS, to be held in the beautiful city of Copenhagen. ….

https://www.das-daga2025.eu

Please note, that also in 2025 AES members can register using the same ticket category as DEGA members.

Wolfgang Klippel: Sound Quality of Audio Systems
2025-03-17 00:00 - 2025-03-19 23:59 | TU Dresden, Helmholtzstr. 9, Dresden, 01069
Three-Day Lecture by Wolfgang Klippel

Sound Quality of Audio Systems – Modeling, Measurement & Control

The popular 3-Day Lecture – Sound Quality of Audio Systems will be back in March 2025. The three-day event combines both theory and practice and will take place March 17-19, 2025, at the Technical University of Dresden, Germany. Registration for the lecture is now open for a fee for general admission and is free for students.

The 2025 lecture on “Sound Quality of Audio Systems” is presented by Dr. Wolfgang Klippel, professor at the Institute of Acoustics and Speech Communication. It will give you a deep understanding of measurement and diagnostic techniques used in telecommunication, automotive, multi-media, and professional applications to design small, light and cost-effective loudspeakers. The content reflects over 30 years of fundamental research by Klippel, allowing participants to improve their designs and optimize manufacturing processes.

The presented content is highly recommended for students of electro-acoustic, and anyone in the audio industry active in research & development, manufacturing, or quality control. “Linear, nonlinear and time-variant systems with lumped and distributed parameters model the generation of signal distortion. The course makes the relationship between symptoms and physical causes of the distortion more transparent,” Prof. Dr. Wolfgang Klippel explains.

The lecture is divided into four topics

Electro-Acoustical Modeling,

Measurement and Analysis,

Interpretation and Diagnostics, and

Digital Loudspeaker Control.

KLIPPEL’s experienced development engineers present practical sections to deepen participants’ understanding of electroacoustic measurements on KLIPPEL devices and illustrate theory with industry examples.

Furthermore, the popular house party at KLIPPEL headquarters will be also back on March 17, 2024, at 6 pm. KLIPPEL is organizing an in-house exhibition with technical demonstrations and room for discussion open to all attendees. “The KLIPPEL House Party is a great opportunity for further networking and knowledge exchange for the conference attendees,” KLIPPEL General Manager Benjamin Barth explains.

Key topics that will be presented in 2025 are:

IEC standard 60268-23 for testing large loudspeakers (panel, arrays, TV, monitors, …)

Rating max SPL according to IEC standard 60268-21

Testing transducers with small baffles on the KLIPPEL Multi Scanning Workbench

Measuring the nonlinear residuum in reproduced music signals

Interested persons can reserve their seats for the 3-Day Lecture – Sound Quality of Audio Systems now – the registration is open. Furthermore, we are excited to offer an Early Bird price of 450€ (incl. VAT) for the 3-Day Lecture. This special rate is available for registrations completed by December 31st, 2024. Starting January 1st, 2025, the regular participation fee will be 550€ (incl. VAT). Students and university staff can register for the event free of charge. More content and registration details are available here or on the website www.klippel.de.

Hamburg: Spatial Audio Listening Session @HAW Tonlabor
2025-02-14 16:00 - 19:00 | HAW Hamburg, Finkenau, Tonlabor, FINKENAU 35, Hamburg, 22081
find more pictures in our gallery here….

Thanks to Leon Sudahl, Lucca Riitano & Jan Feldmann from AES Hamburg / VDT Hamburg for the organization of this outstanding event !

Liebe Interessierte,

in Kooperation mit dem Referat Nachwuchs des VDT, laden wir euch am 14.02.2025 ab 16 Uhr zur Spatial Audio Listening Session (SALS) ein. Wir treffen uns in gemütlicher Atmosphäre im Immersive Audio Lab im 3. Stock des Neubaus der Finkenau 35, um Spatial Audio-Stücke zu hören und uns bei einem Kaltgetränk locker darüber auszutauschen.

Über die mehr als 30 Lautsprecher des Immersive Audio Lab können zahlreiche Formate wiedergegeben werden, von quadrophonischen Stücken über 5.1 Dolby Surround und Dolby Atmos bis hin zu Ambisonics 7th Order.

Dieses Mal geht es um 3D-Aufnahmeverfahren. Basierend auf dem Projekt 3D Microphone Array Recording Comparison (3D-MARCo) von Hyunkook Lee, werden wir uns verschiedene Mikrofonierungsverfahren anhören und Meinungen dazu bilden können. Wer Interesse hat sich im Vorfeld zu informieren, kann sich die Daten (Reaper-Projekt, Aufnahmen, Whitepaper) kostenfrei herunterladen, da dass Projekt Open Access ist.

Die Teilnahme ist nur mit Anmeldungund anschließender Bestätigung unsererseits unter dieser Mail hamburg-student@aesgermany.org möglich, da wir nur 15 Plätze anbieten können. Es besteht im Anschluss die Möglichkeit, sich in kleiner Runde weiter auszutauschen.

Leitet die Einladung gerne an andere Interessierte weiter 🙂

Liebe GrüßeAES Student Section Hamburg

HAMBURG OPEN 2025
2025-01-15 00:00 - 2025-01-16 23:59 | HAMBURG MESSE, Messeplatz 1, Hamburg, 20357
click on picture to learn more, deutsch

Dear Members & Friends,be invited to this premium broadcast and media technology event in Hamburg in January 2025.We do have a budget of voucher codes for 100% discount on the ticket price. Please apply by emailing mail@aesgermany.org. For over 50% discount checkout this invitation.Breaking news: Our partner “Bildungswerk of VDT” shares with us their booth Halle B6, Stand 738. Be welcome !

For an overview of the full 70+ speaker program click here.As in the last year the AES Germany is again a Hamburg Messe partner organisation with the following resources for its members:– presenting interesting, audio related, innovative topics and speakers, workshops and masterclasses.– make it possible for small companies to present new solutions, workflows or products to an expert audience. Our offer for next year is to co-fund a common booth for german audio startup companies. – organize an evening dinner or lunch date for a common regional AES group meeting.cu there ? For planing an evening event, pls let us know your interest by email or spontaneously after our speaker presentations on both days. your AES Germany board

Hamburg HAW Tonlabor: Spatial Audio Listening Session
2025-01-10 16:00 - 19:00 | HAW Hamburg, Finkenau, Tonlabor, FINKENAU 35, Hamburg, 22081
Liebe Interessierte,

in Kooperation mit dem Referat Nachwuchs des VDT, laden wir euch am 10. Januar ab 16 Uhr zur Spatial Audio Listening Session (SALS) ein. Wir treffen uns in gemütlicher Atmosphäre im Immersive Audio Lab im 3. Stock des Neubaus der Finkenau 35, um Spatial Audio-Stücke zu hören und uns bei einem Kaltgetränk locker darüber auszutauschen.

Über die mehr als 30 Lautsprecher des Immersive Audio Lab können zahlreiche Formate wiedergegeben werden, von quadrophonischen Stücken über 5.1 Dolby Surround und Dolby Atmos bis hin zu Ambisonics 7th Order.

An diesem Termin steigen wir tiefer in das Thema Ambisonics ein. Das immersive Klangformat, welches seit den 70er Jahren existiert und erfreut sich seitdem an stetig wachsenden Interesse. Seit dem erscheinen der kostenfreien IEM Plugin Suite 2018 ist das Thema brandaktuell und ist nun nicht mehr nur Fachleuten vorbehalten. In unserer Session hören wir Ambisonics-Stücke verschiedener Ordnungen und kratzen an der Oberfläche der Theorie. Die Teilnahme ist nur mit Anmeldung unter dieser Mail hamburg-student@aesgermany.org möglich, da wir nur 15 Plätze anbieten können. Es besteht im Anschluss die Möglichkeit, sich in kleiner Runde weiter auszutauschen.

Leitet die Einladung gerne an andere Interessierte weiter 🙂 Liebe GrüßeAES Student Section Hamburg

NeurIPS 2024 Workshop on Audio Imagination: AI-Driven Speech, Music, and Sound Generation
2024-12-14 00:00 - 23:59
See: https://audio-imagination.github.io/

Audio Imagination Workshop

Generative AI has been at the forefront of AI research in recent times, with numerous studies showcasing remarkable and surprising generation capabilities across various modalities such as text, image, and audio. Audio Imagination Workshop at NeurIPS 2024 aims to bring the latest advancements in generative AI focusing on audio generation. Audio generation presents unique challenges due to the nature of the audio signal, its perception by humans, and its relationship with other modalities like text and visuals. Modern generative methods have brought about new opportunities for solving well-studied audio generation problems, such as text-to-speech synthesis, while also leading to explorations of exciting new problems. The workshop seeks to bring together researchers working on different audio generation problems and facilitate concentrated discussions on the topic. It will feature engaging invited talks, high-quality papers presented through oral and poster sessions, and a demo session to showcase the current state of audio generation methods.

Call For Papers

We invite submissions for Main Paper and Demo Tracks. Please go to Submission Page for more details.

Feel free to contact the organizers if you have any question regarding the workshop.

The Audio Imagination Workshop at the Thirty-Eighth Annual Conference on Neural Information Processing Systems (NeurIPS 2024) aims to bring together researchers working in the field of generative AI for audio, speech, music, including multimodal generative AI with audio as one of the modalities.

We invite researchers to submit papers focusing on, but not limited to, the following topics related to audio generation:

Textual prompts and natural language inputs based generation and editing of audio, such as text-to-speech (i.e., speech synthesis), text-to-music and text-to-sound

Audio/Speech in LLMs/Multimodal LLMs

Connection of audio generation with text generation, including similarities and differences.

Video to Audio/Speech/Music Generation

Multimodal generation of audio – going beyond unimodal inputs (text/video/audio) to audio — using multiple modalities for generating audio

Data for audio/speech/music generative AI

Generative methods for and its impact on established speech tasks such as speech enhancement, source separation, voice conversion, speech to speech translation, to mention a few

Generation of spatial audio and experiences driven by spatial audio.

Generation of audio for virtual or augmented reality (VR/AR)

Synchronized Generation of audio along with visuals

Impact of generative audio on media and content creation technologies

Interpretability in generative AI for audio/speech/music.

Responsibility in generative AI for audio/speech/music.

Novel applications of audio/speech/music generation

We welcome submissions from researchers in academia and industry. The workshop will provide a platform for discussing the latest advances in the field and identifying future research directions.

We invite submission in two tracks, Main Paper Track and Demo Track. The submission process and details are outlined below. Please reach out to the organizers for any questions/confusion.

Main paper track

The main paper track is the primary submission track for the Audio Imagination workshop and will facilitate discussions on relevant topics. Accepted papers will be presented through oral talks or poster sessions. Please note that Audio Imagination is an in-person workshop and papers are expected to be presented in person.

Demo Session

A key component of the Audio Imagination workshop is that we will also hold a demo session, where participants will have a chance to showcase their advanced audio generation methods and technologies. The demo track will enable listening experiences for workshop participants which is critical to understand, evaluate and contextualize generated audio. The demo session will be conducted alongside poster sessions.

Please Check Out the Submissions Page for details on paper formatting and submission details.

Important Dates

September 18th – Main Paper Submission Deadline

September 21st – Demo Paper Submission Deadline

October 9th – Paper & Demo Acceptance Notification

December 14th – Workshop

Organisers:

Anurag Kumar, Research Lead and Scientist at Meta, USA

Zhaoheng Ni, Research Scientist at Meta, USA

Yapeng Tian, Assistant Professor at The University of Texas at Dallas, USA

Berrak Sisman, Assistant professor at The University of Texas at Dallas, USA

Wenwu Wang, Professor at University of Surrey, United Kingdom

Shinji Watanabe, Associate Professor at Carnegie Mellon University, USA

Please feel free to circulate this call information. Many thanks.

Best wishes,Wenwu —Wenwu Wang

Professor of Signal Processing and Machine Learning

Centre for Vision Speech and Signal Processing (CVSSP)

& Surrey Institute for People Centred AI

University of Surrey

Guildford, GU2 7XHUnited KingdomPhone: +44 (0) 1483 686039Fax: +44 (0) 1483 686031Email: w.wang@surrey.ac.uk

https://personalpages.surrey.ac.uk/w.wang/

The Story of MP3
2024-11-29 17:00 - 21:00 | Fraunhofer Institute for Integrated Circuits IIS, Am Wolfsmantel 33, Erlangen, 91058
Join us for the Story of MP3 event, where we will explore the history, development, and revolutionary impact of the MP3 codec on the music industry. Hear directly from the pioneering engineers behind the MP3 codec in a panel discussion followed by a live Q&A session. Discover lesser-known stories and fun behind-the-scenes insights from the engineers who made MP3 possible.

The official program will run from 17:00 to 19:00, followed by a networking session with food and drinks, where you can connect with other audio enthusiasts and share insights.

Register here

S3DAPC Live Transmission/Public Listening
2024-11-08 19:00 - 22:00
Die AES Student Section Hamburg lädt ein zur Live-Übertragung der Preisverleihung der Student 3D Audio Production Competition (S3DAPC), welche zum achten Mal ausgerichtet wurde. Über die 33 Lautsprecher des Tonlabors der HAW Hamburg lassen sich die in 5th Order Ambisonics eingereichten Produktionen in gemütlicher Runde bei einem Kaltgetränk anhören. Die Preisverleihung und die Entscheidungen der Jury werden live gestreamt.

Hinweis: Die Veranstaltung wird gefilmt und die Zuschauer:innen in den Livestream eingeblendet.

Bei persönl. Besuch ist eine Anmeldung zwingend unter hamburg-student@aesgermany.org erforderlich.

Livestream:

https://tonmeister.org/en/rubrics/3d-audio-competition/2024/

Video Recording——————-

[english]The AES Student Section Hamburg invites you to the live broadcast of the award ceremony of the Student 3D Audio Production Competition (S3DAPC), which was held for the eighth time. The productions submitted in 5th Order Ambisonics can be listened to over the 33 loudspeakers of the sound lab in a cozy atmosphere with a cold drink. The award ceremony and the jury’s decisions will be streamed live.

Please note: The event will be filmed and viewers will be included in the livestream.Registration is mandatory at hamburg-student@aesgermany.org.

Livestream here

Video Recording

DE&I Colloquium
2024-10-30 17:00 - 18:30 | Online Zoom
AES Germany Hosts Its First Research Colloquium on Diversity, Equity and Inclusion (DE&I) in Audio Engineering

We are excited to announce the Audio Engineering Society (AES) Germany’s very first Research Colloquium on Diversity and Inclusion in Audio Engineering. This event will focus on important issues including the gender pay gap, strategies for overcoming obstacles in male-dominated industries, and the inclusion of individuals with disabilities in the audio engineering field. We will explore how different countries are addressing these challenges and what we can learn from one another.

The colloquium will bring together experts who will share insights and real-world examples from both industry and research. Our featured speakers include Leslie Gaston-Bird, President of the AES, Jiayue Cecilia Wu and Mary Mazurek, chairs of the Diversity and Inclusion Committee at AES and Michelle Guadalupe Felix Garcia, an advocate for equal employment opportunities for professionals with disabilities. We are also pleased to have Ingo Weismantel share insights from the “Women in Sound” discussion series by the German Association for Audio Professionals (VDT).

This colloquium presents a unique opportunity to engage in meaningful discussions and explore actionable solutions for creating more inclusive and accessible workplaces in audio engineering.

Short Biographies:

Leslie Gaston-Bird

Dr. Leslie Gaston-Bird CAS, MPSE began her term as President of the Audio Engineering Society this year. As Supervising Sound Editor and Re-Recording Mixer, she was also nominated for an MPSE Golden Reel award for Outstanding Achievement in Sound for a Non-Theatrical Feature for her work on Publish or Perish, a dark comedy by David Liban. In addition, Leslie is currently a Senior Lecturer in Sound Recording & Music Production at City, University of London. She is founder and director of Immersive and Inclusive Audio, CIC, which provides training in Avid Pro Tools and Dolby Atmos certification for underrepresented groups, an initiative which she created as part of her PhD at the University of Surrey. Leslie is author of the books Women in Audio (Routledge) and Math Fundamentals for Audio (A-R Editions). She is a Pro Tools | Dolby Professional Avid Certified Instructor and Dante Level 3 Certified audio engineer specializing in re-recording mixing and sound editing. She is a member of the Recording Academy (The Grammys®), BAFTA, Cinema Audio Society, and Motion Picture Sound Editors (MPSE). She has worked for National Public Radio (Washington, D.C.), Colorado Public Radio, the Colorado Symphony Orchestra, Post Modern Company, and was a tenured Associate Professor at the University of Colorado Denver.

Jiayue Cecilia Wu

Dr. Jiayue Cecilia Wu (AKA 武小慈), a scholar, composer, and audio engineer, specializes in harnessing music technology for healing. With a B.Sc. in Design and Engineering, she spent a decade as a music producer and consultant with EMI Records, Universal Music Group, and Shazam. Her academic journey led her to earn a Master of Art in Music, Science, and Technology from Stanford University and a Ph.D. in Media Arts and Technology from UC Santa Barbara. Her music has been performed in Asia, the U.S., Canada, Australia, South Africa, Brazil, and Europe. Her significant intellectual contributions include 27 peer-reviewed journal articles, three book chapters, two book publications, and 100+ multimedia compositions, exhibitions, and installations showcased globally. Currently, Dr. Wu is an Assistant Professor and Program director at the University of Colorado’s College of Arts and Media. She actively participates in her academic community, serving as a peer-reviewer for high-impact research journals, chairing the DEI Committee at the Audio Engineering Society (AES), and holding leadership roles in the Society for Electro-Acoustic Music in the United States (SEAMUS) and the International Computer Music Association (ICMC). Dr. Wu’s expertise extends worldwide, with guest lectures and workshops in Embodied Sonic Meditation at prominent R1 research institutions and international events.

Mary Mazurek

Dr. Mary Mazurek is currently an Assistant Professor of Digital Audio Arts at the University of Lethbridge in Alberta, Canada and a GRAMMY-nominated recording engineer. The Recording Academy awarded her nomination at the 61st Annual Grammy Awards in the category of Best Engineered Album, Classical for the album Liquid Melancholy Clarinet Music of James Stephenson. Her audio work is also regularly featured on WFMT Radio and WFMT.com. Additionally, she is an author, sought-after speaker and educator who enjoys contributing in the classroom and on panels and committees within her industry and beyond. She serves as a role model and advocates for women in the recording industry, which is currently less than 5% female. Furthermore, she serves as a governor and the Diversity Equity and Inclusion Chairperson for the Audio Engineering Society.

Michelle Guadalupe Felix Garcia

Michelle Guadalupe Felix Garcia is a passionate audio engineer, composer, tech enthusiast and lifelong learner from Mexico. She graduated from the music recording technology and audio design program at San Diego State University. After a life-changing invitation to spend an afternoon at Coldplay’s studio, she realized the ways blind audio engineers record, edit, produce and mix are beautiful, worthy of celebrating and sharing with the world. She launched a video series to educate the sighted community, encourage more blind people to join this fascinating field, and to generate awareness that leads to equal employment opportunities for people with disabilities. She is an enthusiastic member of the Audio Engineering Society’s Accessibility Subcommittee, and serves as chair of the hardware and software standards group, providing guidelines that can help manufacturers make accessibility the norm in every product from the start. As a freshman, she was the only woman enrolled for an audio degree. The statistic for women joining the workforce has been steadily increasing. The same cannot be said for professionals with disabilities, for whom there is no research or statistics available. She actively works towards the day when blind engineers are welcome in every workplace as tour crew members, A1’s in theaters, in-studio producers, and can show up to work, no questions asked, being recognized as valuable contributors who move the music industry forward.

Ingo Weismantel

Ingo Weismantel is a labor engineer at Darmstadt University of Applied Science, where he has worked since 2021. Previously, he served as an event production manager at the Deutsche Nationalbibliothek and the Hochschule für Musik und Darstellende Kunst in Frankfurt. He holds a B.A. in Sound and Music production and a qualification as a Master of Event Technology from the Europäische Medien and Eventakademie.

In addition to his professional roles, he is active in the sound engineering community, co-founding the platform wiki.audio and serving as the Officer for Training and Further Education in the Association of German Sound Engineers. He plays a key role in the organisation’s “Women in Sound” discussion series, promoting diversity and inclusion in the audio industry.

REGISTER HERE

AES Germany presents @LEaTcon Hamburg: AES75 panel + AES67 talk + dinner event + table booth
2024-10-22 00:00 - 2024-10-24 23:59 | HAMBURG MESSE, Messeplatz 1, Hamburg, 20357
The AES Student Section Hamburg and AES Germany welcome you at our table in the LEaTcon Lounge.

Breaking news: Our thanks go to Anselm Goertz and IFAA Aachen who share with us their AES75 comparison study – done just a week before the presentation at LEaTcon 75 for the AES Germany in 2 languages – here in german and in english

Tuesday 22.10.2024 16:45 AVstage:AES75: ein neuer Qualitätsstandard bei Lautsprechern

AES75 – diese Norm beschreibt ein Prüfverfahren zur Messung des maximalen linearen Schallpegels eines Lautsprechersystems oder eines Lautsprechertreibers unter Verwendung eines neuartigen Testsignals namens Music-Noise. In unserem Panel diskutieren die beiden unabhängigen Messtechnikexperten Anselm Goertz und Ralph Kessler gemeinsam mit Merlijn van Veen, einem Leiter der internationalen AES75 Standardisierungsgruppe, sowie dem Publikum über Grundlagen, Neuerungen und Aussichten des 2023 vorgestellten Standards. Auch zur Sprache kommen Alternativen und bisherige Verfahren.Speaker:Ralph Kessler // Moderator, Pinguin Ing.Büro, AES Germany eVAnselm Goetz // IFAA Institut für Akustik und Audiotechnik Merlijn van Veen // AES 75 co-chair der Standardisierungsgruppe

Sprache:DEUm AES75 Details tiefer kennenzulernen, gibt Merlijn bereits vorher – 15:15 – einen Vortrag auf dem Speakers Corner :https://www.leatcon.com/en/timetable/event/aes75-in-progress/ In unserem Panel wird es aber auf jeden Fall auch eine kurze Zusammenfassung der Grundlagen und Neuigkeiten geben. Danach wird es in einem offenen Diskurs darum gehen, wie wir gemeinsam die inflationären MAX SPL Angaben in manchen Datenblättern und Ausschreibungstexten stoppen und dem zwar überaus bekannten, aber von Systemingenieuren oft ignorierten Parameter wieder etwas mehr Sinn geben können.

Wednesday 11:00 Keynote Main StageBeyond the Standards: Crafting Immersive Audio for Cutting-Edge Venues – and what goes ahead

Speaker: Tom Ammermann

Today we have new benchmarks for immersive audio like the Sphere in Las Vegas. What makes such environments so special and are such venues however asked for more, maybe interactivity? And how to create the content for such custom and complex loudspeaker environments? The presentation will touch these tasks and offer some more details and insides as well as showing a workflow example.

Wednesday 23.10.2024 11:15 AVstage:MILAN, Dante, RAVENNA, AES67 & the 7 Layers to Hell

In this session Andreas Hildebrand will provide an overview of the current AoIP solutions and explains how the various technologies align with the 7-layer OSI model. The audience will learn about the main commonalities and differences between MILAN, Dante and RAVENNA – and if AES67 can help guiding us from Hell to Purgatory…

Speaker:Andreas Hildebrand (ALC NetworX, Germany, LAWO AG, RAVENNA Evangelist)Language: EN

Wednesday 13:30-15:00 LEaT Academy Space 2How to train a Spatial Audio Dome

*Deep Dive Workshop*

Audio pre-production for large custom configured venues is always a challenge. The mix cannot be made onsite because it’s always busy and in regular audio production fascicles like studios and with headphones the loudspeaker formats normally just match to standard formats like Stereo, 5.1, and 7.1.4. Another issue is how to check and play it finally onsite. What kind of master is requested. The workshop will offer an example and workflow how deal with and solve all this issues.

Speaker:Tom Ammermann | founder, general manager, and visionary behind New Audio Technology

Sprache:EN / DE

Wo?LEaT Academy Space 2

Info:Dieser Workshop findet inhaltlich aufbauend auf die Keynote von Tom Ammermann statt (es ist jedoch nicht erforderlich, an beiden Programmpunkten teilzunehmen). // Info: This workshop builds on the content of Tom Ammermann’s keynote (however, it is not necessary to attend both parts of the program).

Social Events

A dinner event for AES members & friends is not really fixed currently. We have currently in mind: Tuesday 18:30 at a restaurant (close to the Messehalle B6).Please drop us an email if you’re interested in registering a seat. There’s a good chance to meet our speakers there…;-)Also a lunch meeting at the show after the AES67 talk on wednesday is possible.

https://www.leatcon.com/

Timetable LEaTconTimetable StudioszeneTimetable AVcon

INSIGHTS workshop program (extra ticket required)Timetable Training (stage Lighting workshops)LEaT special area:Tuesday: LEaTcon Science Talks , special conference Wednesday: Immersive Audiovation Summit (presented by Audio-Technica, Lawo und TiMax)Thursday: Follow & Tracking Special

Tuesday evening: LEaTcon Networking Party (extra ticket required)

AES members can our discount code for reduced ticket prices on request.The AES Student Section Hamburg and AES Germany welcome you at our table in the LEaTcon Lounge.

News of March 2024:Dear Members & Friends,

be invited to this premium Live, Entertainment & media technology event @ Hamburg Messe Oct 22-24 2024.Together with the “Studioszene” & “AV con” you can expect once again a highly innovative event format.

As in the last 2 years the AES Germany is again a partner organisation of LEaTcon with the following resources for its members:

– presenting interesting, audio related, innovative topics and speakers, workshops and masterclasses.

– make it possible for small companies to present new solutions, workflows or products to an expert audience. Our offer for 2024 is to co-fund a common booth for german audio startup companies.

– organize an evening dinner or lunch date for a common regionalAES group meeting.

cu there ? We want to hear your your opinion on future involvement in such events.

your AES Germany board

Hamburg: Spatial Audio Listening Session @HAW Tonlabor
2024-10-18 16:00 - 18:00 | HAW Hamburg, Finkenau, Tonlabor, FINKENAU 35, Hamburg, 22081
Moin,

In Kooperation mit der AES Student Section Hamburg und dem Referat Nachwuchs des VDT, laden wir euch am 18. Oktober ab 16 Uhr zur Spatial Audio Listening Session (SALS) ein. Wir treffen uns in gemütlicher Atmosphäre im Immersive Audio Lab im 3. Stock des Neubaus der Finkenau 35, um Spatial Audio-Stücke zu hören und uns bei einem Kaltgetränk locker darüber auszutauschen.

Über die mehr als 30 Lautsprecher des Immersive Audio Lab können zahlreiche Formate wiedergegeben werden, von quadrophonischen Stücken über 5.1 Dolby Surround und Dolby Atmos bis hin zu Ambisonics 7th Order.

Dieses Mal beschäftigen wir uns mit psychoakustischen Effekten und hören diesbezüglich eine Auswahl von Stücken und tauschen uns darüber aus.

Die Teilnahme ist nur mit Anmeldung unter dieser Mail möglich, da wir nur 15 Plätze anbieten können. Es besteht im Anschluss die Möglichkeit, sich in kleiner Runde weiter auszutauschen.

AES Polish Section: NTAV2024 - Breslau
2024-10-17 00:00 - 2024-10-19 23:59
20. Symposium zu Innovationen in der Audio- und Videotechnik

Call for Contributions is open:https://aes.org.pl/ntav2024/#zaproszenie

Seminar "AkustischeSimulation und Beschallungsplanung" an der TU Berlin
2024-10-08 08:00 - 2024-10-11 17:00 | TU BERLIN, Straße des 17. Juni 135, Berlin, 10623
Akustische Simulation und Beschallungsplanung 2024_FlyerDownload

LeitungProf. Dr. Stefan WeinzierlProf. Dr.-Ing. Anselm GoertzDr.-Ing. Michael MakarskiDipl.-Ing. Thomas Steinbrecher

Das Seminar wendet sich an Sachverständige,Ingenieure, Tonmeister, Elektrofachplaner sowiealle, die mit der Planung und dem Betrieb vonBeschallungsanlagen in öffentlichen Räumen undVeranstaltungssälen direkt oder indirekt zu tunhaben. Vorausgesetzt werden Grundkenntnisse derAkustik und Beschallung und der dort verwendetenMesstechnik.

AES SHOW 2024 NY
2024-10-08 00:00 - 2024-10-10 23:59 | Jacob Javits Convention Center
In-Person: Jacob Javits Convention Center New York

https://aesshow.com/

Step into a world of audio innovation and inspiration at AES Show 2024 NY, the flagship event of the Audio Engineering Society. This annual gathering unites over 10,000 audio professionals, enthusiasts, and exhibitors from around the globe. Whether you’re a seasoned expert, a novice, or a student, the AES Show provides a platform for collaboration, discovery, and learning.

5th International Symposium on the Internet of Sounds - Erlangen
2024-09-30 00:00 - 2024-10-02 23:59 | International Audio Laboratories Erlangen
– International Audio Laboratories Erlangen– September 30 – October 2, 2024– https://internetofsounds2024.ieee-is2.org/We are pleased to invite you to the 5th International Symposium on theInternet of Sounds (IS2 2024). The Internet of Sounds is an emergingresearch field at the intersection of the Sound and Music Computing andthe Internet of Things domains.The symposium will be hosted at the International Audio LaboratoriesErlangen, Germany, a joint institution of the Friedrich-AlexanderUniversität Erlangen-Nürnberg (FAU) and Fraunhofer Institute forIntegrated Circuits IIS.The aim is to bring together academics and industry to investigate andadvance the development of Internet of Sounds technologies by usingnovel tools and processes. The event will consist of presentations,keynotes, panels, poster presentations, demonstrations, tutorials, musicperformances, and installations.*Keynote Speakers*The program will include three keynotes:– Toon van Waterschoot, KU Leuven– Georg Hajdu, Hamburg University of Music and Theatre– Hanna Lukashevich, Fraunhofer Institute for Digital Media Technology*Satellite Events*The program will include two satellite events:– The 1st International Workshop on the Musical Metaverse:https://internetofsounds.net/1st-international-workshop-on-the-musical-metaverse/– The 2nd International Workshop on Networked Immersive Audio:https://internetofsounds.net/2nd-international-workshop-on-networked-immersive-audio/*Call for Papers and Demos*Topics of interest include and are not limited to:—-> Networked immersive audio for the Internet of Sounds– Web Audio for the Internet of Sounds– Networked Musical XR– Semantic Audio applications for the Internet of Sounds– Embedded audio– Smart musical instruments– Ubiquitous music– Networked music performances– Participatory live music performances– Musical haptics for the Internet of Musical Things– Music education applications for the Internet of Musical Things– Intelligent music production in Internet of Musical Things contexts– Protocols and exchange formats for the Internet of Sounds– Ecoacoustics– Wireless acoustic sensor networks– Privacy and security in acoustic sensor networks– Detection and classification of sounds in acoustic sensor networks– Visualization and Sonification of acoustic sensor networks– Sonification for Internet of Sounds applications– Audio datasets for Deep Learning and Data Mining– Challenges in the management and delivery of large audio databases– Visualization, access, and indexing of audio databases– Cloud-based services for musical and audio applications– Improving accessibility and inclusiveness within the Internet of Sounds– Sustainability and ethical aspects of the Internet of Sounds– Music information retrieval in networked applications*Paper Submission*We consider submissions in the form of:– Full paper (min 5 pages, max 10 pages)– Poster paper (min 2 pages, max 4 pages)– Demo proposal (max 2 pages)Authors are welcome to submit to all three tracks. We encourage thesubmission of work in progress as well as more mature work. However,only the contributions of at least 4 pages will be included in theProceedings to be submitted to IEEE.All submissions will be fully, single-blind peer-reviewed. The expectednumber of pages for contribution should not exceed 10 pages for paper.Authors must follow IEEE ethical and writing guidelines.– LaTeX and Word template:https://www.ieee.org/conferences/publishing/templates.html– Submission portal: https://easychair.org/conferences/?conf=is22024paper*Call for Internet of Sounds Performances and Installations*We invite submissions that showcase the internet of sounds inperformance and sound installations. Proposed works should have a clearconnection to the conference and may relate to a technical paper or demosubmission. We particularly invite pieces that last 5-12 minutes,however, shorter and longer performance proposals will be considered.*Performances and Installations Submission*A proposal (compiled in a single pdf) should include:– One-page project description– One-page description of technical requirements– Short program notes– Artist bio(s)– URL to any performance/installation audio or audio-visualdocumentation (if available). The documentation link should usestreaming-only services, e.g., SoundCloud, Vimeo, YouTube.Please keep in mind the following when preparing performance andinstallation submissions:– Space requirements: Indicate whether the work would be more suitablefor a university environment (hallways, staircases, indoor and outdoorplazas), club, traditional concert stage, gallery, public space, orother venue. For questions regarding equipment and venue descriptions,please contact the Music & Installations Co-chairs– Performer(s): List all performers that would need to be involved.Please note that the organizers cannot provide funding to supportperformers’ travel or accommodation.– Feasibility: Provide evidence of the feasibility of the performance orinstallation. Include documentation and list of previous performances ofthe submitted or related work that demonstrate the submitter’s capacityto implement the proposal.Submission portal: https://easychair.org/conferences/?conf=is22024music*Important Dates*All submission deadlines: July 10, 2024Author notification: August 15, 2024Camera-ready due: September 9, 2024Early registration deadline: August 26, 2024Late registration deadline: September 23, 2024Symposium dates: September 30 – Oct 2, 2024*Awards*The Organizing Committee will select the winners for the Best Paper,Best Student Paper, and Best Demo awards. To be eligible for the BestStudent Paper award, the presenting and first author of the paper mustbe a full-time student.*Organizing Committee*– Local Chair: Nils Peters – International Audio Laboratories Erlangen,University of Erlangen-Nürnberg– Paper Co-chair: Jakob Abeßer – Fraunhofer Institute for Digital MediaTechnology IDMT– Paper Co-chair: Joseph Malloch – Dalhousie University– Music & Installations Co-chair: Esther Fee Feichtner – University ofMusic and Performing Arts Munich– Music & Installations Co-chair: Marlon Schumacher – Institute forMusic informatics and Musicology Karlsruhe– Demo Chair: Robert Hupke – Sennheiser– Diversity Chair: Claudia Rinaldi – University of L’Aquila– Industry Liaison Chair: Jan Dürre – Sennheiser– Communication Chair: Birgit Popp – Fraunhofer Institute for IntegratedCircuits IIS– Web Chair: Alberto Boem – University of Trento– Facility Chair: Stefan Turowski – International Audio LaboratoriesErlangen, University of Erlangen-Nürnberg– General Chair: Luca Turchet – University of Trento*General Contact*conference-is2-2024@fau.de—Dr. Nils PetersAssociate Professor of Audio Signal Processinghttps://www.audiolabs-erlangen.de/petersInternational Audio Laboratories ErlangenFriedrich-Alexander-Universität Erlangen-NürnbergAm Wolfsmantel 33, 91058 Erlangen, GermanyT: +49 9131 85 20506

Call for Papers deadline for the NeurIPS 2024 Workshop on Audio Imagination: AI-Driven Speech, Music, and Sound Generation
2024-09-18 00:00 - 23:59

NEW VISIONS For Music & Sound 2024 – A new kind of music conference for the future music ecosystem
2024-09-05 00:00 - 2024-09-06 23:59 | Pfefferberg Berlin, Schönhauser Allee 176, Berlin, 10119
AES Germany has a new partner association:the MUSICTECH Germany (Bundesverband Musiktechnologie Deutschland eV) .They just announced that they are bringing a new kind of music conference to Berlin.

Happening on September 5 + 6, 2024 in the heart of Berlin, NEW VISIONS For Music & Sound focuses on innovation for the music ecosystem.

What makes this 2-day event different from other music conferences is, that instead of discussing the status quo of the industry, we are inviting only visionary people from different disciplines of the music and tech sector who will share their ideas, showcase solutions, and discuss opportunities for the future of music and its industry.

It’s going to be a gathering of fantastic artists, founders, researchers, technologists, and music industry veterans, all on a mission to make the music ecosystem fit for the future.AES members will get discounts and early notice of their meetings. For voucher codes get us an email

more details

Sommerfest AES & VDT Regionalgruppen Frankfurt @Studios 301
2024-07-09 18:00 - 22:00 | Studios 301, Hanauer Landstr. 172, Frankfurt am Main, 60314, Germany
Liebe Audiointeressierten der Region Frankfurt,

der Sommer steht vor der Tür – lasst uns ihn klangvoll mit unserem diesjährigen Sommerfest begrüßen!

Es wird eine große Runde zusammen mit der VDT Regionalgruppe Frankfurt, Solotech, limelight gallery und den Studios 301 in Frankfurt.

Die Details findet ihr unten in der angehängten Einladung. Mit der ebenfalls angehängten .ics-Datei könnt ihr das Event gleich in euren Kalender importieren.

Wann: Dienstag, 09.07.2024 ab 18:00 Uhr

Wo: Studios 301 – Frankfurt am Main, Hanauer Landstr. 172 |Google Maps Link

Anmeldung: https://forms.gle/qLCgrvqBt8LpnEdN9

mit Zusatz „(AES)“ im Feld “Firma / Band / Künstlername“Eine kurze Anmeldung über den Link wäre super, damit wir entsprechend planen können.

Wir freuen uns auf euer zahlreiches Erscheinen und auf den Austausch mit euch über zukünftige Events, Wünsche für unsere Regionalgruppe und allerlei andere Themen an unserem neuen AES-Germany Stand!

Mit besten Grüßen

Till Gerneth

______________________________

Originaleinladung von Ulli Schiller:

Liebe Freunde des gepflegten Tons und der emotionalen Fine Art Prints:

YEAH, IT‘S SUMMER! – SUNSHINE OF YOUR LOVE

Inzwischen eine echte Institution unserer Branche: Das GET TOGETHER Event in den Studios 301! Das Motto lautet diesmal SUNSHINE OF YOUR LOVE. Bei erfrischenden Flüssigkeiten, leckerer Bratwurst und Kartoffelsalat treffen sich erneut Live-Sound u. Licht- Spezialisten, Künstler, Produzenten, Label-Staff, Live- und Studio-Tonspezialisten, Hersteller und Vertriebler von Studio-Equipment sowie Musikliebhaber unterschiedlicher Genres.

Wenn Du dabei sein möchtest, hier der Link zur Anmeldung:

https://forms.gle/qLCgrvqBt8LpnEdN9 mit Zusatz „(AES)“ im Feld “Firma / Band / Künstlername“

Ort: Studios 301 Germany, Hanauer Landstraße 172, 60314 Frankfurt

Datum: Dienstag, 09.07.2024

Zeit: ab 18:00 Uhr

Studios 301 Germany ist die einzige Dependance der legendären Recording Studios 301, Sydney. Die Studios befinden sich im Herzen von Frankfurt. Studio Manager/Senior Engineer ist Ulli Schiller.In den Räumlichkeiten der Studios 301 befindet sich auch die deutsche Filiale von SOLOTECH. Der in Kanada beheimatete „GLOBAL LEADER IN AUDIOVISUAL AND ENTERTAINMENT TECHNOLOGY wird vertreten durch das Live-Urgestein Holger Schader sowie den Senior Project Manager Frank Simon.

Ebenfalls in den Räumlichkeiten der Studios 301 beheimatet ist die limelight GALLERY. Diese einzigartige Ausstellung präsentiert hochwertige Bilder namhafter Fotografen der Rock- Geschichte, vertreten durch Wolfgang Lücke.

_____________________________

Medienmesse "how about work" @HAW Hamburg, Fakultät DMI
2024-07-09 11:00 - 22:00
Lucca Riitano von der AES Hamburg Section informiert:

MOIN!

Willkommen zur „How about work?“:

09. Juli

11:00 – 22:00 Uhr

@HAW Hamburg Fakultät DMI

Im Rahmen des Bachelor Studiengangs Medientechnik veranstalten wir DAS Networking Event des Kunst- und Mediencampus Hamburg . Wir wollen ambitionierte Medienmenschen connecten und schaffen den Raum, dass ihr euch finden könnt.

Das einzige, was dafür noch fehlt, bist du.

Freu dich auf einen branchenspezifischen Klönschnack zwischen veggie Wurst und Kaltgetränken.

Mit inspirierenden Vorträgen und Workshops sowie einer knackigen Aftershowparty locken wir alle Medienbegeisterten in die heiligen Hallen des Kunst- und Mediencampus Hamburg.

Alle Infos dazu findest du auf unserer Seite.

DEIN LINK ZUM GLÜCK <3

Hol dir jetzt dein kostenloses Ticket und sei dabei:

!!! Tickets !!!

09. Juli

11:00 – 22:00 Uhr

@HAW Hamburg Fakultät DMI

Spread the word.

“Let´s get messy”

Ich freu mich auf euch!

Liebe Grüße,

eddy

Prasi-Einladungstext_CompressedDownload

AES EUROPE 2024
2024-06-15 08:00 - 2024-06-17 17:00 | Universidad Polytécnica de Madrid, Spain
https://aes2.org/events-calendar/aes-europe-2024/
