BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//AES GERMANY - ECPv6.15.18//NONSGML v1.0//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
X-WR-CALNAME:AES GERMANY
X-ORIGINAL-URL:https://aesgermany.org
X-WR-CALDESC:Events for AES GERMANY
REFRESH-INTERVAL;VALUE=DURATION:PT1H
X-Robots-Tag:noindex
X-PUBLISHED-TTL:PT1H
BEGIN:VTIMEZONE
TZID:Europe/Berlin
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20210328T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20211031T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20220327T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20221030T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20230326T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20231029T010000
END:STANDARD
BEGIN:DAYLIGHT
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
TZNAME:CEST
DTSTART:20240331T010000
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
TZNAME:CET
DTSTART:20241027T010000
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231010T100000
DTEND;TZID=Europe/Berlin:20231013T180000
DTSTAMP:20260403T200617
CREATED:20231003T165714Z
LAST-MODIFIED:20231003T165923Z
UID:2343-1696932000-1697220000@aesgermany.org
SUMMARY:Seminar @TU Berlin: Entwicklung\, Messung und Bewertung von Lautsprechern
DESCRIPTION:Klicke auf das Bild um mehr zu erfahren
URL:https://aesgermany.org/event/seminar-tu-berlin-entwicklung-messung-und-bewertung-von-lautsprechern
LOCATION:TU BERLIN\, Straße des 17. Juni 135\, Berlin\, 10623
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20231005T000000
DTEND;TZID=Europe/Berlin:20231005T235959
DTSTAMP:20260403T200617
CREATED:20230927T073458Z
LAST-MODIFIED:20230927T094255Z
UID:2273-1696464000-1696550399@aesgermany.org
SUMMARY:HOLOPLOT Demos @Festspielhaus Bregenz
DESCRIPTION:Berlin based manufacturer HOLOPLOT invites our members and friends to “in-situ” demos of their new “3D audio beamforming” technology. Find their invitation letter below:  “We’d like to invite you to the upcoming HOLOPLOT demos at Festspielhaus Bregenz on Thursday\, October 5th. This event offers a unique opportunity to experience the revolutionary HOLOPLOT X1 Matrix Array sound system and its unique capabilities. \n\n\n\nIn this demo\, you’ll get to experience how our technology can transform sound propagation in world-class venues such as Festspielhaus Bregenz. Here’s what we’ll cover during the event: \n\n\n\n\nHow to navigate complex spaces using 3D Audio-Beamforming to overcome challenging reverberation room characteristics.\n\n\n\nHow to create precise coverage zones\, ensuring a seamless audio experience for the entire audience.\n\n\n\nHow to leverage the immersive capabilities of X1\, including Virtual Sources and multi-zone content.\n\n\n\n\nFor those interested in our software tools\, we’ll provide insights on designing an X1 sound system using HOLOPLOT Plan. You can also opt for a private tour of the renowned Kongresskultur Bregenz facility. \n\n\n\nSecure your spot today by registering here. \n\n\n\nWe can’t wait to welcome you to Bregenz and share the exciting possibilities of HOLOPLOT technology. \n\n\n\nGreetings from Berlin\,Your HOLOPLOT Team \n\n\n\n“ \n\n\n\n\n\n\n\nUnd unsere Kollegen der AES Austria informierten uns mit folgender Einladung des Bregenzer Festspielhauses zur Vorstellung eines neuen Soundsystemes:Liebe Kolleginnen und Kollegen! \n\n\n\nAm 5. Oktober 2023 wird im großen Saal des Festspielhauses in Bregenz das HOLOPLOT X1 Matrix Array Soundsystem vorgestellt.Für interessierte Vereinsmitglieder bietet sich die Möglichkeit im Rahmen von 2 Demonstrationen um 10.00 Uhr oder um 14.00 Uhr sich von den Möglichkeiten des Systems ein Bild zu machen.Während der Demo wird mithilfe von 3D-Audio-Beamforming die Schallausbreitung nach Bedarf kontrolliert um damit die akustischen Herausforderungen in komplexer Architektur zu minimieren.HOLOPLOT demonstriert\, wie man softwarebasiert präzise Hörer-Zonen erstellen und anpassen kann sowie Audio-Beams berechnen kann\, die den Schall genau dorthin transportieren\, wo er benötigt wird.Darüber hinaus werden die außergewöhnlichen Möglichkeiten des Systems präsentiert\, die es erlaubt virtuelle Schallquellen sowie mehrere gleichzeitige Audio-Beams mit unterschiedlichen Audiosignalen im Raum zu platzieren.Des weiteren gibt es die Möglichkeit die Planungs- und Simulationssoftware HOLOPLOT Plan auszuprobieren. \n\n\n\nOptional bietet der Leiter der Tonabteilung\, Clemens Wannemacher\, die Möglichkeit eine kurze Führung durch das Festspielhaus und die Tribüne der Seebühne zu besuchen. \n\n\n\nWO?Festspielhaus BregenzPlatz der Wiener Symphoniker6900 BregenzWANN?Donnerstag 5. Oktober 10:00 UhrODERDonnerstag 5. Oktober 14:00 UhrUm Anmeldung unter folgendem Link wird gebeten.https://hubs.li/Q020vD7r0 \n\n\n\n—AES AUSTRIA – VEREIN ZUR FÖRDERUNG DER KOMMUNIKATION ÖSTERREICHISCHER AUDIOTECHNIKERAES Austria WebsiteAES Austria auf Facebook
URL:https://aesgermany.org/event/holoplot-demos-festspielhaus-bregenz
LOCATION:Festspielhaus Bregenz\, Platz d. Wr. Symphoniker 1\, Bregenz\, 6900\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230919T170000
DTEND;TZID=Europe/Berlin:20230919T183000
DTSTAMP:20260403T200617
CREATED:20230715T151506Z
LAST-MODIFIED:20230920T051752Z
UID:2202-1695142800-1695148200@aesgermany.org
SUMMARY:AES Germany Research Colloquium #5: Gain Sharing Automatic Microphone Mixing
DESCRIPTION:The new AES Germany Research Colloquium aims to provide a platform to discourse on a specific audio topic and create a bridge between basic research\, manufacturers and users in audio technology. \n\n\n\nGain Sharing Automatic Microphone Mixing\n\n\n\nDan Dugan will recount how the gain sharing algorithm was invented through persistent experimentation and an astonishing stroke of good luck. He will explain its simple calculations. A real-time demonstration will illustrate the almost magical result of the simple math. \n\n\n\nDan Dugan – CEO Dan Dugan Sound Design\n\n\n\n\n\n\n\nWhen Dan was a child\, his parents took him to theater and concerts. He always wanted to go backstage to see the light board. In his teens he built a huge model circus and two small pipe organs. He was very active in music\, singing bass in choruses\, madrigal groups\, and his church choir. Dan studied math and physics in college but dropped out to work full-time in the theater doing lighting. That became his first career.At age 24 Dan specialized in theater sound\, working at the Old Globe in San Diego and ACT in San Francisco. The title “Sound Designer” was created in 1968 “to describe what Dan Dugan does.” He also provided sound services for eight seasons of the Mondavi Jazz Festival and engineered several independent record albums.Dan demonstrated the first effective automixer at the New York AES in 1974. Today his invention is commonly used (but not heard) in conferences\, talk shows\, news panels\, sports panels\, and election debates. The Cinema Audio Society gave Dan their 2018 Outstanding Product award. He received an Engineering Emmy in 2020.Dan does scientific research in the national parks\, making longitudinal studies of soundscapes over time. He works in his laboratory in San Francisco\, manufacturing his inventions and editing his immersive soundscape recordings. \n\n\n\nMore information\n\n\n\n\nCompany Website\n\n\n\nother Professional Website Nature Sounds.org\n\n\n\nPaper: Application of Automatic Mixing Techniques to Audio Consoles\n\n\n\nPaper: Automatic Microphone Mixing\n\n\n\n\nJoin Meeting\n\n\n\nThe colloquium will be held in English with a presentation of 60 minutes\, followed by a 30-minute discussion. \n\n\n\nLink to register in advance for this meeting. After registering\, you will receive a confirmation email containing information about joining the meeting. \n\n\n\nThe Meeting Format: We will be hosting this meeting using Zoom. After registering\, you will receive a confirmation email containing information about joining the webinar. For most participants\, audio and video are muted during the presentation. In the discussion they can be unmuted (indicated by the raised hand function). This will be explained again at the beginning of the meeting. For a better quality we suggest to use a headset with microphone. The presentation will be recorded. By turning on your camera you are consenting for your image to be used in a photograph of the event.
URL:https://aesgermany.org/event/aes-germany-research-colloquium-5-gain-sharing-automatic-microphone-mixing
LOCATION:Online Zoom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230906T000000
DTEND;TZID=Europe/Berlin:20230908T235959
DTSTAMP:20260403T200617
CREATED:20230329T175844Z
LAST-MODIFIED:20230329T180708Z
UID:1962-1693958400-1694217599@aesgermany.org
SUMMARY:AES 2023 International Conference on Audio Education Hasselt\, Belgium
DESCRIPTION:The AES is the only professional society devoted exclusively to audio technology. Its conferences are highly regarded from academia to industry\, and bring together the foremost stakeholders and subject experts in one specific branch of audio.Following successful Audio Education conferences in Glasgow\, UK and Tennessee\, USA\, this year’s gathering is expected to draw educators from all over Europe and beyond. \n\n\n\nThe 2023 International Conference on Audio Education offers a varied three-day program with peer-reviewed paper presentations\, keynote presentations\, workshops\, panels\, sponsor booths\, technical tours and social events. Spanning all areas of audio engineering\, the theme is relevant to every type of education institution as well as manufacturers. \n\n\n\nThe host institution is PXL-Music\, Belgium’s pop and rock school which offers studio and live engineering courses\, and houses a research center with focuses on sound education\, immersive audio\, artificial intelligence and data science for the music industry. \n\n\n\nmore details \n\n\n\nCall for papers submission deadline:  April 21\, 2023
URL:https://aesgermany.org/event/aes-2023-international-conference-on-audio-education-hasselt-belgium
LOCATION:PXL-Music\, PXL University of Applied Sciences and Arts Hasselt\, Belgium\, Elfde-Liniestraat 24\, Hasselt\, 3500\, Belgium
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230823
DTEND;VALUE=DATE:20230826
DTSTAMP:20260403T200617
CREATED:20230113T183515Z
LAST-MODIFIED:20230213T224943Z
UID:1679-1692748800-1693007999@aesgermany.org
SUMMARY:2023 AES International Conference on Spatial and Immersive Audio
DESCRIPTION:Spatial/immersive audio is one of the hottest topics in the audio industry\, creative and research communities right now.With the advance of multichannel/object-based audio and binaural audio technologies\, spatial audio is becoming more and more accessible to the general public.Although spatial audio has been researched and developed over several decades\, it has only been several years since it has become a major interest to the general public\, thanks to commercial services available on streaming services and mobile devices.Immersive audio is another term that is often used as a synonym to spatial audio\, but the true potential of spatial audio to provide a fully immersive experience has not been fully explored yet.To maximise industrial and societal impacts of spatial audio\, now is the time for the industry and beyond to get together for this years AES International Conference on Spatial and Immersive Audio! Join us at the University of Huddersfield\, with its cutting edge facilities\, for 3 days of workshops\, demonstrations\, peer reviewed papers and in-person networking. Sponsorship Opportunities are now available. Call for Subbmissions The Program and Registration will be live soon.
URL:https://aesgermany.org/event/2023-aes-international-conference-on-spatial-and-immersive-audio
LOCATION:University of Hudderfied\, Queensgate HD1 3DH\, Huddersfield\, HD1 3DH\, United Kingdom
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230822T183000
DTEND;TZID=Europe/Berlin:20230822T183000
DTSTAMP:20260403T200617
CREATED:20230810T162433Z
LAST-MODIFIED:20230811T101250Z
UID:2216-1692729000-1692729000@aesgermany.org
SUMMARY:Berlin: Mixing for Live-Broadcasting for acoustical and classical music recording
DESCRIPTION:Another AES Germany Berlin event is just around the corner! This time Philipp Reif a Recording Music Producer is invited to present mixing techniques for Live-Broadcasting for acoustical and classical music recording. \n\n\n\n\n\n\n\nMixing consoles vs. In-the-box mixing for Live-Broadcasting for acoustical and classical music recordingIn-the-box mixing is by far the most common method of nowadays music production and allows the powerful approaches to detail automate a mix in the post production process. When it comes to balancing the faders during the recording process\, a Live-Broadcasting or Live-Streaming most of the sound engineers and music producers fear in-the-box mixing as „not being reliable enough“ and „missing workflows“ they are familiar with working on a dedicated mixing console. In this event Philipp Reif would like to show that there are almost no limitations in recording and mixing directly out of the DAW for Live-Broadcasts (Opera or symphony orchestra) anymore on the example of Merging Technologies DAW Pyramix and their dedicated Audio Interfaces. He would also like to openly discuss the pros and also cons of an in-the-box workflow for Live-Recording and which opportunities it gives to professionals in the audio industry and how his company „Tonmeister Kollektiv“ is facing that challenge. \n\n\n\nTo attend this in-person event\, please register via MeetUp or Eventbrite \n\n\n\nThe host will be Angelika Podola\, AES Germany Berlin. \n\n\n\n\n\n\n\n \n\n\n\n \n\n\n\n\n\n\n\n \n\n\n\nBiographyPhilipp Reif graduated from Tonmeister-studies with a Master degree (M. Mus.) at Berlin University of the Arts (UdK Berlin). He is a classical music producer and sound engineer based in Berlin\, Germany\, working with distinguished artists and institutions for different labels (Deutsche Grammophon\, Sony Music\, Decca\, CPO\, Prospero etc.) and broadcasting companies like Rundfunk Berlin Brandenburg (RBB)\, Deutschlandfunk or Bayerischer Rundfunk (BR) in Munich. He was educated in classical piano and flute and works as Tonmeister and sound engineer in the fields of classical and acoustical music production. His philosophy is to unleash the individual artistic potential of every artist in the highest professional level to create artistic outstanding and ear-catching recordings both musically and technically . Therefore Philipp takes care that the musical interpretation of the artists is preserved best possible by being a creative intermediate between the music and complex recording technique with greatest in-depth knowledge in both fields. The choice of the microphones for a Tonmeister is similar to the choice of a painter which colors to mix to achieve an artwork of impressive perception. The difference of the Tonmeister’s job is to MIX TONE COLORS which are perceived by the ear. Eventually every recording is a unique artwork of the performing musicians in collaboration with the Tonmeister.
URL:https://aesgermany.org/event/berlin-mixing-for-live-broadcasting-for-acoustical-and-classical-music-recording
LOCATION:Ableton AG\, Schönhauser Allee 6/7\, Berlin\, 10119\, Germany
CATEGORIES:Come Together
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230618T130000
DTEND;TZID=Europe/Berlin:20230618T180000
DTSTAMP:20260403T200617
CREATED:20230605T200610Z
LAST-MODIFIED:20230606T003257Z
UID:2142-1687093200-1687111200@aesgermany.org
SUMMARY:Tonkunst Hannover eV: Sommerfest
DESCRIPTION:Am 18. Juni 2023 laden wir zu unserem großen Sommerfest ein!  \n\n\n\nBei einem bunten Rahmenprogramm aus Konzerten\, Talks\, einem Live Podcast und vielem mehr\, informieren wir über unsere aktuelle Vereinsarbeit. Für das leibliche Wohl wird ebenfalls gesorgt sein.  \n\n\n\nWeitere Details zum Programmablauf folgen in den kommenden Tagen.  \n\n\n\nZur besseren Planung freuen wir uns über einen kurzen Hinweis über Ihr Kommen über unser Kontaktformular.
URL:https://aesgermany.org/event/tonkunst-hannover-sommerfest
LOCATION:Tonstudio Tessmar\, Reinhold-Schleese-Str. 24\, Hannover\, 30179
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230613T170000
DTEND;TZID=Europe/Berlin:20230613T183000
DTSTAMP:20260403T200617
CREATED:20230528T133920Z
LAST-MODIFIED:20230625T201108Z
UID:2098-1686675600-1686681000@aesgermany.org
SUMMARY:AES Germany Research Colloquium #4: From mp3 to PARty
DESCRIPTION:The new AES Germany Research Colloquium aims to provide a platform to discourse on a specific audio topic and create a bridge between basic research\, manufacturers and users in audio technology. \n\n\n\nFrom mp3 to PARty. How signal processing\, psychoacoustics and machine learning fit together\n\n\n\nThe talk will start with a brief historical overview: How mp3 and other audio coding formats got developed. To advance this technology\, a lot of knowledge about our ears has been necessary. \n\n\n\nSince then\, we have learned much more about our ears and brain\, as well as how we listen to the world around us. Cognitive effects have become more and more important. We really hear what we expect to hear. All this has been used in a lot of research over the years. \n\n\n\nCurrently\, an important topic of our research in Ilmenau is finding out how we can reproduce immersive sound\, the feeling of “being there”\, over headphones. After approximately 50 years of research by others and contributions from myself\, we can finally claim that we have solved this problem. The process of how we achieved it and what means we used will be included in the talk. \n\n\n\nThe talk will conclude by presenting ideas about future applications that may initially sound like science fiction\, such as PARty\, but we are working to transform them into reality. \n\n\n\nProf. Dr.-Ing. Karlheinz Brandenburg – CEO of Brandenburg Labs GmbH and Senior Professor at the Institute of Media Technology at Technische Universität Ilmenau\n\n\n\n\n\n\n\nKarlheinz Brandenburg received the Dipl.-Ing. and Dipl.-Math. degrees in electrical engineering and mathematics and the Dr.-Ing. degree in electrical engineering from the Friedrich-Alexander-Universität (FAU)\, Erlangen-Nürnberg\, Germany. He is currently Senior Professor at TU Ilmenau\, Germany and CEO of Brandenburg Labs GmbH\, a startup company specializing in immersive audio technologies. Following times as a Postdoctoral Member of Technical Staff at AT&T Bell Laboratories in Murray Hill\, USA and again FAU he joined the Fraunhofer IIS\, Erlangen\, as head of the Audio and Multimedia Department. He is the founding director of the Fraunhofer IDMT\, Ilmenau where he retired in 2019. For his pioneering work in digital audio coding (as a main contributor to the mp3 and AAC audio coding standards)\, perceptual measurement techniques\, wave field synthesis\, psychoacoustics\, and analysis of audio and video signals he received many awards. \n\n\n\nJoin Meeting\n\n\n\nThe colloquium will be held in English with a presentation of 60 minutes\, followed by a 30-minute discussion. \n\n\n\nLink to register in advance for this meeting. After registering\, you will receive a confirmation email containing information about joining the meeting. \n\n\n\nThe Meeting Format: We will be hosting this meeting using Zoom. After registering\, you will receive a confirmation email containing information about joining the webinar. For most participants\, audio and video are muted during the presentation. In the discussion they can be unmuted (indicated by the raised hand function). This will be explained again at the beginning of the meeting. For a better quality we suggest to use a headset with microphone. The presentation will be recorded. By turning on your camera you are consenting for your image to be used in a photograph of the event.
URL:https://aesgermany.org/event/aes-germany-research-colloquium-4-from-mp3-to-party
LOCATION:Online Zoom
CATEGORIES:Research Colloquium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230531T163000
DTEND;TZID=Europe/Berlin:20230531T203000
DTSTAMP:20260403T200617
CREATED:20230504T105010Z
LAST-MODIFIED:20230504T105012Z
UID:2068-1685550600-1685565000@aesgermany.org
SUMMARY:VDT & AES Regionalgruppen Frankfurt laden ein zum Meetup bei Adam Hall | LD Systems
DESCRIPTION:31. Mai 2023 um 16:30 Uhr – Adam Hall Experience Center: Adan-Hall-Straße 1\, 61267 Neu-Anspach \n\n\n\nVDT & AES Regionalgruppen Frankfurt laden ein zum Meetup bei Adam Hall | LD Systems \n\n\n\nGoogle Maps Link zum Adam Hall Standort \n\n\n\nGoogle Maps Link zum Restaurant Kastanienhof \n\n\n\nLiebe Audiointeressierte der Region Frankfurt\, \n\n\n\ndie Regionalgruppen des Verbands Deutscher Tonmeister*innen und der AES Germany laden herzlich zu einem Meetup bei der Adam Hall Group in Neu-Anspach ein. Wir treffen uns im Experience Center\, das etwa 30 Autominuten von Frankfurt entfernt liegt. \n\n\n\nAlexander Studte\, der R&D Director der Adam Hall Group\, lädt uns in den Experience Center ein und wird uns an diesem Abend unter anderem zusammen mit Jens Kleinhuis\, Field Application Engineer bei LD Systems\, begleiten. Die Veranstaltung beginnt im Experience Center und bietet uns die Möglichkeit\, die Adam Hall Group näher kennenzulernen. Unter anderem werden wir einen Firmenrundgang erleben und zwei Produktserien von LD Systems\, MAUI & MAILA\, vorgestellt bekommen. Der Tag wird mit einem gemütlichen Abendessen im  \n\n\n\nKastanienhof Neu-Anspach mit italienischer Küche abgerundet\, bei dem wir uns austauschen und vernetzen können. \n\n\n\nWir freuen uns auf einen spannenden und informativen Tag mit euch und bitten um eine kurze Anmeldung bei eventbrite\, damit wir besser planen können. VDT Mitglieder bitte VDT Tickets klicken\, AES Mitglieder die AES Tickets. \n\n\n\nANMELDUNG: \n\n\n\nhttps://www.eventbrite.com/e/vdt-aes-meetup-bei-adam-hall-ld-systems-tickets-628695564357 \n\n\n\nFür Rückfragen stehen wir gerne unter frankfurt@aesgermany.org und niels.reckziegel@tonmeister.de zur Verfügung.Mit besten Grüßen\, \n\n\n\nTill Gerneth – Leitung AES Regionalgruppe Frankfurt \n\n\n\nNiels Reckziegel\, Tonmeister VDTRegionalgruppenleiter Frankfurt des Verbandes Deutscher Tonmeister
URL:https://aesgermany.org/event/vdt-aes-regionalgruppen-frankfurt-laden-ein-zum-meetup-bei-adam-hall-ld-systems
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230529T000000
DTEND;TZID=Europe/Berlin:20230529T235959
DTSTAMP:20260403T200617
CREATED:20230402T173513Z
LAST-MODIFIED:20230402T173514Z
UID:1989-1685318400-1685404799@aesgermany.org
SUMMARY:CfP Submission Deadline for tmt32
DESCRIPTION:https://tonmeister.org/de/rubriken/tmt32-news/tmt32-call-geoeffnet/
URL:https://aesgermany.org/event/cfp-submission-deadline-for-tmt32
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230526T000000
DTEND;TZID=Europe/Berlin:20231031T235959
DTSTAMP:20260403T200617
CREATED:20230606T013751Z
LAST-MODIFIED:20230606T014426Z
UID:2152-1685059200-1698796799@aesgermany.org
SUMMARY:Ausstellung MKG Hamburg: Can You Hear It?
DESCRIPTION:Musik und Künstliche Intelligenz \n\n\n\n\n\n\n\n\n\nhttps://www.mkg-hamburg.de/ausstellungen/can-you-hear-it
URL:https://aesgermany.org/event/ausstellung-mkg-hamburg-can-you-hear-it
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230518T000000
DTEND;TZID=Europe/Berlin:20230520T235959
DTSTAMP:20260403T200617
CREATED:20230121T162031Z
LAST-MODIFIED:20230421T155656Z
UID:1699-1684368000-1684627199@aesgermany.org
SUMMARY:CANCELLED: Hamburg: KLG 2023 // 6th International Conference on Sonic Arts and Spatial Audio
DESCRIPTION:
URL:https://aesgermany.org/event/hamburg-klg-2023-6th-international-conference-on-sonic-arts-and-spatial-audio
LOCATION:HAW Hamburg\, Finkenau\, Tonlabor\, FINKENAU 35\, Hamburg\, 22081
ORGANIZER;CN="HAW Hamburg%2C Prof. Thomas G%C3%B6rne":MAILTO:hamburg@aesgermany.org
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230513
DTEND;VALUE=DATE:20230516
DTSTAMP:20260403T200617
CREATED:20230113T165754Z
LAST-MODIFIED:20230118T092644Z
UID:1654-1683936000-1684195199@aesgermany.org
SUMMARY:AES Europe 2023 - Espoo\, Finland
DESCRIPTION:AES Europe 2023\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCelebrating 75 years of Audio Innovation\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nCall For Submissions Now Open – Deadlines\nAES Europe 2023\, 154th Audio Engineering Convention\, takes place in Aalto University\, Espoo\, near Helsinki\, Finland on May 13 – 15\, 2023. Join us for the leading program of professional audio workshops\, papers and special events\, with the worlds top manufacturers and innovators.
URL:https://aesgermany.org/event/aes-europe-2023-espoo-finland
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230503T120000
DTEND;TZID=Europe/Berlin:20230503T130000
DTSTAMP:20260403T200617
CREATED:20230425T092109Z
LAST-MODIFIED:20230425T092110Z
UID:2056-1683115200-1683118800@aesgermany.org
SUMMARY:Führung im Musikverein Wien
DESCRIPTION:Liebe Freunde der Akustik\, Fabio macht mit seinen Studierenden der TU Wien eine Führung im Musikverein Wien und Ihr könnt dabei sein!Wann? Am Mittwoch\, den 3.05.2023 um 12 Uhr (Dauer ca. 1h).Es gibt noch freie Plätze und wenn Du Lust hast mitzukommen\, bitte schreibe an tonetti@rohde.at. Die Kosten gehen auf uns. Beste Grüße\, Francesca Tonetti  \n\n\n\n—AES AUSTRIA – VEREIN ZUR FÖRDERUNG DER KOMMUNIKATION ÖSTERREICHISCHER AUDIOTECHNIKERAES Austria WebsiteAES Austria auf FacebookZVR: 748892004
URL:https://aesgermany.org/event/fuhrung-im-musikverein-wien
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230427T180000
DTEND;TZID=Europe/Berlin:20230427T230000
DTSTAMP:20260403T200617
CREATED:20230423T173210Z
LAST-MODIFIED:20230426T103840Z
UID:2049-1682618400-1682636400@aesgermany.org
SUMMARY:AES/VDT Get-Together @ Studios 301
DESCRIPTION:***english below*** \n\n\n\n \n\n\n\nVDT Get-Together @ Studios 301 \n\n\n\n27. April 2023 | from 18:00 o’clock \n\n\n\nHanauer Landstraße 172\, Frankfurt \n\n\n\n_________ \n\n\n\nLiebe Audiointeressierten der Region Frankfurt und Besucher der prolight+sound\, \n\n\n\nkommende Woche findet auf der Messe Frankfurt wieder die prolight+sound statt\, unter anderem mit Programm vom VDT\, dessen Regionalgruppenleitung Niels Reckziegel uns zusammen mit Ulli Schiller von der neuen Dependance der renommierten und legendären “Studios 301“  \n\n\n\nzum VDT Get-Together am 27. April 2023 ab 18:00 in die Hanauer Landstraße 172 willkommen heißt. Es gibt dort auch eine Kleinigkeit zu Essen und Trinken. Ingo Weismantel und ich würden uns sehr freuen\, den ein oder anderen von euch dort zu sehen!ANMELDUNG:Bitte meldet euch bei Interesse bei \n\n\n\n mir über frankfurt@aesgermany.org kurz an\, damit wir die Teilnehmeranzahl abschätzen können. \n\n\n\nWir freuen uns auf eure Anmeldungen! \n\n\n\nMit besten GrüßenTill Gerneth \n\n\n\n***english*** \n\n\n\nDear audio interested people of the Frankfurt region and visitors of the prolight+sound\,next week the prolight+sound will take place again at the Frankfurt fair\, among other highlights with a program from the VDT (Verband Deutscher Tonmeister = Association of German Sound Engineers)\, whose regional group leader Niels Reckziegel together with Ulli Schiller from the new branch of the legendary and renowned “Studios 301” also welcomes us to the VDT Get-Together on April 27\, 2023 from 18:00 at Hanauer Landstraße 172. There will also be a little something to eat and drink there. Ingo Weismantel and I would be very happy to see one or the other of you there!REGISTRATION:If you are interested\, please contact me via  \n\n\n\nfrankfurt@aesgermany.org so that we can estimate the number of participants.We are looking forward to your registrations!With best regardsTill Gerneth \n\n\n\n \n\n\n\nTill GernethAES Germany – Frankfurt Regional Group Leaderfrankfurt@aesgermany.org \n\n\n\nAudio Engineering SocietySection Germanymail@aesgermany.orgwww.aesgermany.org@2023
URL:https://aesgermany.org/event/vdt-get-together-studios-301
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230426T150000
DTEND;TZID=Europe/Berlin:20230426T200000
DTSTAMP:20260403T200617
CREATED:20230402T185633Z
LAST-MODIFIED:20230402T185634Z
UID:2002-1682521200-1682539200@aesgermany.org
SUMMARY:Tag gegen Lärm im Institut für Schallforschung (ISF) der ÖAW
DESCRIPTION:Sehr geehrte Damen und Herren\, \n\n\n\nWir laden Sie zum Tag gegen Lärm in das Institut für Schallforschung (ISF) der ÖAW ein. \n\n\n\nSeit 2015 beteiligt sich das ISF am Internationalen Tag gegen Lärm. Auch heuer sind wir mit mehr als zwei Dutzend Stationen über drei Geschosse verteilt an diesem Aktionstag dabei. Wann ist Schall Klang und wann Lärm? \n\n\n\nWir laden Sie und Ihre Familie ein unsere zahlreichen interaktiven Stationen auszuprobieren. Unsere Wissenschaftlerinnen und Wissenschaftler werden Ihnen einen Einblick in ihre Forschung geben. \n\n\n\nWir freuen uns über unsere Kooperationspartner BMK und Umweltbundesamt\, Center for Mobility Systems des AIT\, AUVA\, DI Joachim Jira\, Dr. med. univ. Lukas Landegger\, Institut für Verkehrswissenschaften der TU-Wien\, Institut für Musikwissenschaft der Uni Wien\, sowie MED-EL\, die mit ihrer Beteiligung unseren Aktionstag bereichern. \n\n\n\nTermin:26.4.202315:00-20:00 Uhr \n\n\n\nOrt:Institut für Schallforschung der ÖAWWohllebengasse 12-141040 Wien \n\n\n\nWeitere Informationen und Einladung. \n\n\n\n—AES AUSTRIA – VEREIN ZUR FÖRDERUNG DER KOMMUNIKATION ÖSTERREICHISCHER AUDIOTECHNIKERAES Austria WebsiteAES Austria auf Facebook
URL:https://aesgermany.org/event/tag-gegen-larm-im-institut-fur-schallforschung-isf-der-oaw
LOCATION:Institut für Schallforschung der ÖAW\, Wohllebengasse 12-14\, Wien\, 1040\, Austria
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230426T000000
DTEND;TZID=Europe/Berlin:20230426T235959
DTSTAMP:20260403T200617
CREATED:20230425T215057Z
LAST-MODIFIED:20230425T215058Z
UID:2061-1682467200-1682553599@aesgermany.org
SUMMARY:Tag gegen Lärm / International Noise Awareness Day
DESCRIPTION:Mach’ mal leise !\n\n\n\n\n\n\n\nhttps://www.tag-gegen-laerm.de/start
URL:https://aesgermany.org/event/tag-gegen-larm-international-noise-awareness-day
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230425
DTEND;VALUE=DATE:20230429
DTSTAMP:20260403T200617
CREATED:20230116T153126Z
LAST-MODIFIED:20230402T204753Z
UID:1726-1682380800-1682726399@aesgermany.org
SUMMARY:Frankfurt: Prolight + Sound 2023
DESCRIPTION:Frankfurt\, Messegelände \n \n[for english see below] \nAlle AES-Mitglieder und -Freunde sind herzlich eingeladen\, ein kostenloses Ticket für alle Tage zu erhalten. Bitte senden Sie uns eine E-Mail an mail(at)aesgermany.org\, um Ihren persönlichen Code zu erhalten. Wir werden – wenn gewünscht – auch ein abendliches Treffen Audio Interessierter zu organisieren\, u.U. wie letztes Jahr wieder mit dem VDT zusammen. \nHier ein paar Audio bezogene Informationen der Messeleitung: \nGet-Together am ersten Messetag: \nThemen & Events | Prolight + Sound (messefrankfurt.com) \n\nNeben Business und Weiterbildung soll sich die Branche auf der Prolight + Sound auch feiern – gemeinsam\, klangvoll und ausgelassen. Wir laden alle Besucher und Aussteller\, am ersten Messeabend ab 18 Uhr\, zum ersten „Get-together @ Prolight + Sound“ auf die Live Sound Arena bei Musik und Drinks ein. Die Teilnahme ist kostenfrei\, wir möchten Sie zu diesem Abend gerne einladen. Jeder mit einem Ticket kann hier dazustoßen.\n\nDie Codes lassen sich im Ticketshop (www.prolight-sound.com/online-ticket ) in Dauerkarten umwandeln. Die Tickets berechtigen auch zur Nutzung des ÖPNV\, sofern das Ticket in ausgedruckter Form und personalisiert mitgeführt wird (nicht übertragbar). \n  \nProAudio College \nAudio Professionals und natürlich auch alle interessierten Branchen-Newcomer haben eine neue Anlaufstelle: Das ProAudio College\, das gemeinsam mit dem Verband Deutscher Tonmeister e.V. (VDT) umgesetzt wird. \n  \nVortrag auf der Bühne \nDas Pro Audio College bietet ein viertätiges Fortbildungsangebot. Schwerpunkte des Vortragsprogramms sind aktuelle Trends in der Beschallungsszene\, Innovationen rund um Home-Studio-Produktionen sowie exklusive Schulungsmodule aus dem SQQ7-Curriculum. \n  \nDas Themenspektrum des ProAudio College gliedert sich in vier Stränge: \n  \n\nZum einen das Curriculum des Bildungsstandards SQQ7. Dieser wurde von einer breit aufgestellten Arbeitsgruppe unter der Leitung des VDT entwickelt\, definiert Lernziele für die Weiterbildung zur “geprüften Tonspezialist:in” und richtet sich an alle Fachkräfte für Veranstaltungstechnik\, die sich in Richtung Ton weiter spezialisieren möchten.\n\n\nSQQ7 wurde auf der Prolight + Sound 2022 vom VDT und der Interessengemeinschaft Veranstaltungswirtschaft vorgestellt und beinhaltet u.a. Schwerpunkte wie Hörtraining\, physikalische Grundlagen der Akustik\, Signalquellen und Signalverarbeitung\, Netzwerktechnik und Intercom-Systeme.\n\n\nAktuelle Aufgaben in der Beschallungsszene stehen im zweiten Themenstrang auf der Agenda. Wie kann man eine gute Beschallung in einem anspruchsvollen Raum realisieren? Worauf sollte ein Beschallungsneuling besonders achten? Was sind die neuesten Entwicklungen in der Branche?\n\n\nIm dritten Themenbereich geht es um Produktionen in Heim- und Projektstudios. Hier geht es um die wichtigen Kernfragen\, die sich jedem Studiobetreiber bei Produktionen stellen.\n\n\nDer vierte Strang beschäftigt sich mit der beruflichen Zukunftsplanung und gibt Tipps für Berufseinstiger\n\nDie Teilnehmer erhalten eine schriftliche Bestätigung über das erworbene Wissen. \nDie Vorträge werden teilweise in deutscher und teilweise in englischer Sprache gehalten. \n  \nLocation: Raum „Transparenz 1“\, Portalhaus Ebene 1 \n  \n\n\n\n\n\n\n \n\n\n\nAll AES members and friends are invited to receive a free ticket for all days. Please send us an email to mail(at)aesgermany.org to receive your personal code. We will – if desired – also organize a Get-Together of audio interested people\, possibly like last year again together with the VDT. \n\n\n\nHere is some additional information from the show management: \n\n\n\nGet-Together on the first day of the fair: \n\n\n\nTopics & Events | Prolight + Sound (messefrankfurt.com) \n\n\n\nIn addition to business and continuing education\, the industry should also celebrate each other at Prolight + Sound – together\, sonically and exuberantly. We invite all visitors and exhibitors to the first “Get-together @ Prolight + Sound” on the first evening of the trade fair\, starting at 6 p.m.\, at the Live Sound Arena with music and drinks. The participation is free of charge\, we would like to invite you to this evening. Anyone with a ticket can join us here. \n\n\n\nThe codes can be converted into season tickets in the ticket store (www.prolight-sound.com/online-ticket). The tickets also entitle you to use public transport\, provided that the ticket is printed out and personalized (non-transferable). \n\n\n\nProAudio College \n\n\n\nAudio professionals and\, of course\, all interested industry newcomers have a new place to go: the ProAudio College\, which is being implemented together with the Verband Deutscher Tonmeister e.V. (VDT). \n\n\n\nLecture on stage \n\n\n\nThe Pro Audio College offers a four-day advanced training program. The lecture program will focus on current trends in the sound reinforcement scene\, innovations related to home studio productions\, and exclusive training modules from the SQQ7 curriculum. \n\n\n\nThe ProAudio College’s range of topics is divided into four strands: \n\n\n\nFirst\, the curriculum of the SQQ7 educational standard. This was developed by a broad-based working group under the leadership of the VDT\, defines learning objectives for further training as a “certified sound specialist” and is aimed at all event technology professionals who wish to specialize further in the field of sound.SQQ7 was presented at Prolight + Sound 2022 by the VDT and the Interessengemeinschaft Veranstaltungswirtschaft and includes key areas such as hearing training\, physical principles of acoustics\, signal sources and signal processing\, network technology and intercom systems.Current tasks in the sound reinforcement scene are on the agenda in the second topic strand. How can a good sound reinforcement be realized in a demanding room? What should a newcomer to sound reinforcement pay particular attention to? What are the latest developments in the industry?The third topic area is about productions in home and project studios. Here\, we deal with the important core questions that every studio operator faces during productions.The fourth strand deals with career planning for the future and provides tips for career entrants.The participants receive a written confirmation of the acquired knowledge. \n\n\n\nThe lectures will be held partly in German and partly in English. \n\n\n\nLocation: Room “Transparency 1”\, Portalhaus Level 1
URL:https://aesgermany.org/event/frankfurt-pro-light-sound-2023
LOCATION:Messe Frankfurt\, Ludwig-Erhard-Anlage 1\, Frankfurt am Main\, 60327
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230421T000000
DTEND;TZID=Europe/Berlin:20230421T235959
DTSTAMP:20260403T200617
CREATED:20230402T152939Z
LAST-MODIFIED:20230402T152940Z
UID:1973-1682035200-1682121599@aesgermany.org
SUMMARY:CfP Submission Deadline for AES 2023 International Conference on Audio Education
DESCRIPTION:AES 2023 International Conference on Audio Education Hasselt\, BelgiumCall for papers submission deadline
URL:https://aesgermany.org/event/cfp-submission-deadline-for-aes-2023-international-conference-on-audio-education
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230404T170000
DTEND;TZID=Europe/Berlin:20230404T183000
DTSTAMP:20260403T200617
CREATED:20230219T190000Z
LAST-MODIFIED:20230404T210644Z
UID:1787-1680627600-1680633000@aesgermany.org
SUMMARY:AES Germany Research Colloquium #3: The Williams Tree
DESCRIPTION:The new AES Germany Research Colloquium aims to provide a platform to discourse on a specific audio topic and create a bridge between basic research\, manufacturers and users in audio technology. \nThe Williams Tree\, the True 3D Audio Main Microphone Array designed to replace the much-overrated Decca Tree\nThe ‘Williams Tree’\, is based on the process of segmentation of the sound field around us\, each segment being covered by the corresponding pair of microphones within an array. A different approach must be adopted for each part of the 3D coverage – the surround sound segments\, the side height coverage\, and the top zenith zone coverage. This 3D audio array has been developed over a period of about 30 years\, and is a carefully constructed array of microphones covering each segment of the sound field\, and producing a smooth and accurate natural sound image of the complete spatial image around us. This can be limited to only the upper hemisphere\, or it can also cover the lower part of the sound image below the surround sound layer of microphones. The quality of the complete 3D sound image is infinitely superior to the Decca Tree\, and promises to become the standard approach to the recording and the reproduction of 3D Audio. However\, it must not be forgotten that the recording array is only half the problem\, equal attention must be given to the loudspeaker configuration\, if optimum results are to be obtained. \nThe idea for the Decca Tree started in the 1950s in the early days of Stereophonic Recording. Due to Angular Distortion of the reproduced stereo recordings\, people came to the conclusion that there seemed to be a hole in the centre of the stereo image. It was therefore quite logical to introduce a third microphone\, pan-potted to the centre. In those days\, this was seemingly a satisfactory solution to the stereo reproduction problem. But in fact\, the Decca Tree was little more than a set of pan-potted omnidirectional microphones. The introduction of the Decca Tree into surround sound recording and later into 3D or immersive sound recording and reproduction\, but with no real psychoacoustic analysis of real segment reproduction\, was a completely unsatisfactory approach to trying to record and reproduce the spacial aspects of sound. \nMore information:\n\nConvention Paper: MMAD — Designing for Height – Practical Configurations\nConvention e-Brief: The “Williams Star” Microphone Array Support System\nConvention Paper: Migration of 5.0 Multichannel Microphone Array Design to Higher Order MMAD (6.0\, 7.0 & 8.0) with or Without the Inter-Format Compatibility Criteria. (Open access)\nConvention Paper: The Whys and Wherefores of Microphone Array Crosstalk in Multichannel Microphone Array Design (Open access)\n\nMichael Williams – Freelance Sound Recording Engineer and Lecturer\, Sounds of Scotland\n \nAfter studying mathematics and physics at Queens University in Belfast\, Northern Ireland\, Michael Williams started his professional career in the Technical Operations department at the BBC Television Studios in London in 1960. In 1965 he moved to France to work for ‘Societe Audax’ in Paris developing loudspeakers for professional sound and television broadcasting\, and later worked for the ‘Conservatoire National des Arts et Metiers’ as Chief Engineer in the adult education television service. Whilst at the Conservatoire he created a full time yearly training course in ‘les Métiers et Techniques de l’Audiovisuel’. In relation to this course he was in charge of training sessions at the CNAM in all aspects of the Audio Visual Industry. During this period he also worked as Consultant Engineer to the Research Laboratories « Brigitte Fribourg » for the Training of the Handicaped for reinsertion into the normal working environment. \nIn 1980 he became a free-lance instructor in Audio Engineering and Sound Recording Practice\, working for most of the major French national television and sound broadcasting companies\, as well as many training schools and institutions. \nHe is an active member of the Audio Engineering Society\, Fellow of the Audio Engineering Society\, former Governor\, and served on the AES French Section Committee from 1987 to 2009. He was Papers Chair at the Paris Conventions in 1991 and 2000\, Convention Secretary in 1995 and Papers Cochair in 2006. \nDuring this period Michael Williams has continued his career as a free-lance sound recording and research engineer\, and has published many papers on Stereo\, Multichannel and 3D Microphone Array Recording Systems over the past twenty five years\, leading to the publication of three books on the subject of Microphone Array Design. \nJoin Meeting\nThe colloquium will be held in English with a presentation of 60 minutes\, followed by a 30-minute discussion. \nLink to register in advance for this meeting. After registering\, you will receive a confirmation email containing information about joining the meeting. \nThe Meeting Format: We will be hosting this meeting using Zoom. After registering\, you will receive a confirmation email containing information about joining the webinar. For most participants\, audio and video are muted during the presentation. In the discussion they can be unmuted (indicated by the raised hand function). This will be explained again at the beginning of the meeting. For a better quality we suggest to use a headset with microphone. The presentation will be recorded. By turning on your camera you are consenting for your image to be used in a photograph of the event.
URL:https://aesgermany.org/event/aes-germany-research-colloquium-1-2023-the-williams-tree
CATEGORIES:Research Colloquium
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230403T000000
DTEND;TZID=Europe/Berlin:20230403T235959
DTSTAMP:20260403T200617
CREATED:20230402T161716Z
LAST-MODIFIED:20230402T161717Z
UID:1987-1680480000-1680566399@aesgermany.org
SUMMARY:CfP Submission Deadline for AES International Conference on Spatial and Immersive Audio
DESCRIPTION:
URL:https://aesgermany.org/event/cfp-submission-deadline-for-aes-international-conference-on-spatial-and-immersive-audio
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230307T193000
DTEND;TZID=Europe/Berlin:20230307T230000
DTSTAMP:20260403T200617
CREATED:20230306T121703Z
LAST-MODIFIED:20230306T121704Z
UID:1877-1678217400-1678230000@aesgermany.org
SUMMARY:AES Germany Get Together - Hamburg
DESCRIPTION:AES Germany is inviting all members and non-members to a get together after the DAGA social event on 07.03.2023 Tuesday. Following the last church visit to Sankt Katharinen\, we will be heading towards to Gröninger Privatbrauerei for a cozy evening all together.  \n\n\n\nFor registration\, please send an email to: info@aesgermany.org  \n\n\n\nAddress: Gröninger Privatbrauerei – Willy-Brandt-Str. 47 Hamburg. \n\n\n\nDate: 07.03.2023  \n\n\n\nTime: 19:30 – 23:00
URL:https://aesgermany.org/event/aes-germany-get-together-hamburg
LOCATION:GRÖNINGER PRIVATBRAUEREI\, Eingang Willy-Brandt-Str. 47\, Hamburg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230306
DTEND;VALUE=DATE:20230310
DTSTAMP:20260403T200617
CREATED:20230112T164835Z
LAST-MODIFIED:20240225T125942Z
UID:1626-1678060800-1678406399@aesgermany.org
SUMMARY:DAGA 2023 Hamburg - 49. Jahrestagung für Akustik
DESCRIPTION:AES members will get ticket discounts. “Early bird” rate ends 31.1.2023.\n\nSubmitting a new abstract for a Late Poster\nDeadline: 15 February 2023\, 23:59
URL:https://aesgermany.org/event/daga-2023-hamburg-49-jahrestagung-fur-akustik
LOCATION:CCH – Congress Center Hamburg\, Congressplatz 1\, Hamburg\, 20355
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230301
DTEND;VALUE=DATE:20230302
DTSTAMP:20260403T200617
CREATED:20230113T172953Z
LAST-MODIFIED:20230113T172953Z
UID:1665-1677628800-1677715199@aesgermany.org
SUMMARY:Köln: LEaT X 2023 - Das PRE-SEASON-EVENT
DESCRIPTION:Die LEaT X 2023 richtet sich gezielt an die Anwender:innen der Veranstaltungsbranche. In LEaT-typischem\, entspannten Rahmen mit viel Zeit für individuelles Networking bietet Dir die LEaT X die Möglichkeit\, Dich nicht nur über neue Produkte zu informieren\, sondern auch gleich im Umgang mit ihnen geschult zu werden – von Experten vor Ort\, die alle Anwender-Fragen direkt beantworten können. \nEine optimale Möglichkeit\, sich mit neuen Produkten wirklich vertraut zu machen – und das mit nur einem Tag Zeitaufwand! \nmore \n[english] \nLEaT X 2023 is aimed specifically at users in the event industry. In a relaxed setting typical of LEaT\, with plenty of time for individual networking\, LEaT X offers you the opportunity not only to find out about new products\, but also to be trained in their use right away – by experts on site who can answer all user questions directly. \nAn optimal opportunity to really familiarize yourself with new products – and with only one day of time expenditure! \nmore
URL:https://aesgermany.org/event/koln-leat-x-2023-das-pre-season-event
LOCATION:Palladium Köln\, Schanzenstr. 36\, Köln (Mülheim)\, 51063
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230224T163000
DTEND;TZID=Europe/Berlin:20230224T213000
DTSTAMP:20260403T200617
CREATED:20230212T140301Z
LAST-MODIFIED:20230212T141607Z
UID:1804-1677256200-1677274200@aesgermany.org
SUMMARY:Meetup der AES Regionalgruppe Frankfurt & KS Audio zum Thema Lautsprecherentwicklung
DESCRIPTION:Liebe Audio-Interessierte der Region Frankfurt\,hiermit möchten wir euch herzlich zu unserem nächsten Meetup in den Showroom von KS Audio einladen – vielen Dank an Dieter Klein für die Einladung! An dem Nachmittag erwarten uns zunächst zwei kurze Vorträge: Der Produktionsleiter Joscha Wagner zeigt uns den weiten Weg von der Produktidee bis in die Fertigung eines Lautsprechers. Dieter Klein präsentiert daraufhin den Zusammenhang von übertragenem Impuls und Abstrahlverhalten. Das Ganze wird selbstverständlich von Hörbeispielen in variabler Raumakustik begleitet. Zum Abschluss \n\n\n\n gehen wir gemeinsam zum Italiener ins Ristorante D’Antonio Abendessen. \n\n\n\nWir freuen uns\, insbesondere die Mitglieder der AES Regionalgruppe Karlsruhe\, sowie Mitglieder der VDT Regionalgruppe Frankfurt zu unserem Treffen begrüßen zu dürfen! \n\n\n\nANMELDUNG: \n\n\n\nBitte meldet euch bei Interesse bei eventbrite unter folgendem Link an\, damit wir die Teilnehmeranzahl abschätzen können.https://www.eventbrite.com/e/meetup-lautsprecherentwicklung-aes-rg-ffm-ks-audio-tickets-539829453427 \n\n\n\nFalls jemandem die Plattform widerstrebt\, gerne bei mir über frankfurt@aesgermany.org anmelden. \n\n\n\nMit besten Grüßen!Till Gerneth – Leitung AES Regionalgruppe Frankfurt \n\n\n\n \n\n\n\nGoogle MapsLink zum KS Audio Standort \n\n\n\nGoogle MapsLink zum Ristorante D’Antonio
URL:https://aesgermany.org/event/meetup-der-aes-regionalgruppe-frankfurt-ks-audio-zum-thema-lautsprecherentwicklung
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230131
DTEND;VALUE=DATE:20230204
DTSTAMP:20260403T200617
CREATED:20230111T083724Z
LAST-MODIFIED:20230111T084500Z
UID:1588-1675123200-1675468799@aesgermany.org
SUMMARY:Integrated Systems Europe @ Barcelona
DESCRIPTION:Registration opens for ISE 2023
URL:https://aesgermany.org/event/integrated-systems-europe-barcelona
LOCATION:Fira Barcelona\, Gran Vía Venue Av. Joan Carles I\, 64\, Barcelona\, L’Hospitalet de Llobregat\, 08908\, Spain
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230126T190000
DTEND;TZID=Europe/Berlin:20230126T203000
DTSTAMP:20260403T200617
CREATED:20230113T120437Z
LAST-MODIFIED:20230113T120437Z
UID:1631-1674759600-1674765000@aesgermany.org
SUMMARY:5th AES Immersive Audio Academy: Round Table With The GRAMMY© Nominees for Best Immersive Audio Album
DESCRIPTION:Free to AES Members!\n\n\n\n\n\n\n\n\n\n\n\nThis event will be live-streamed only.\n\n\n\n\nOn-demand viewing will not be available for this event.\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\n\nJoin us at 1pm EST\, January 26\, 2023\, for the very special 5th AES Immersive Audio Academy. To begin the Audio Engineering Societies 75th Anniversary celebrations\, Andres Mayo hosts a virtual round table with GRAMMY® Award Nominees 2023 in the category of Best Immersive Audio.  Highly renowned experts Jim Anderson\, Morten Lindberg\, Mike Piacentini\, Eric Schilling\, Ulrike Schwarz and Herbert Waltl will present their work and open up a discussion with the audience about technical and artistic aspects of their immersive mixes.\n\n\n\n\n\n\n\n\n\n 
URL:https://aesgermany.org/event/5th-aes-immersive-audio-academy-round-table-with-the-grammy-nominees-for-best-immersive-audio-album
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20230118
DTEND;VALUE=DATE:20230120
DTSTAMP:20260403T200617
CREATED:20221216T154719Z
LAST-MODIFIED:20230125T220144Z
UID:1568-1674000000-1674172799@aesgermany.org
SUMMARY:HAMBURG OPEN 2023
DESCRIPTION:Das Innovations- und Networking-Event für Technik- und Kreativschaffende der Broadcast- und Medientechnikbranche\n\nHier können Sie sich Ihr kostenloses Ticket für die HAMBURG OPEN 2023 sichern. Klicken Sie einfach auf den Link\, geben Sie Ihre Daten ein und erhalten Ihr Ticket per E-Mail oder direkt als Mobile Ticket aufs Smartphone. \nJetzt kostenloses Ticket sichern
URL:https://aesgermany.org/event/hamburg-open-2023
LOCATION:HAMBURG MESSE\, Messeplatz 1\, Hamburg\, 20357
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221217T120000
DTEND;TZID=Europe/Berlin:20221217T143000
DTSTAMP:20260403T200617
CREATED:20221210T134103Z
LAST-MODIFIED:20221212T172108Z
UID:1551-1671278400-1671287400@aesgermany.org
SUMMARY:AES Karlsruhe Region Stammtisch #4
DESCRIPTION:Dear Germany-Section-Members\, friends and supporters from the South German regions;\n\nThe next AES Germany Stammtisch will take place in Karlsruhe on Saturday 17th December. We have booked a table at Vogel Hausbräu Ettlingen from 12:00 (noon).\n\nMore information:\n\nhttps://www.linkedin.com/events/7006333772883206144\n\n####\n\nLiebe Germany-Section-MitgliederInnen und liebe Interessierte der süddeutschen Regionen\,\n\nam 17. Dezember findet der nächste AES Germany Stammtisch in Karlsruhe statt. Wir haben im Vogel Hausbräu Ettlingen ab 12Uhr einen Tisch reserviert.\n\nWeitere Informationen unter:\n\nhttps://www.linkedin.com/events/7006333772883206144\n\n\nBest regards\,\n\nRafael\n\n\n\nRAFAEL KASSIER\, BMus (Tonmeister)\, PhD (Surrey)\, MAES\, MASA\, (he/him/his)\n\nVice-Chair of the AES Technical Council\nCo-Chair of the AES Technical Committee for Automotive Audio\n\nSocial:   www.linkedin.com/in/rafaelkassier/
URL:https://aesgermany.org/event/aes-karlsruhe-region-stammtisch-4
LOCATION:Vogel Hausbräu Ettlingen\, Rheinstraße 4\, Ettlingen\, 76275
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20221212T100000
DTEND;TZID=Europe/Berlin:20221212T110000
DTSTAMP:20260403T200617
CREATED:20221127T170804Z
LAST-MODIFIED:20221128T151556Z
UID:1506-1670839200-1670842800@aesgermany.org
SUMMARY:RGTH Webinar: Einheitspatent und Einheitliches Patentgericht
DESCRIPTION:### Ende des RGTH Einladungstextes \nDie Webinarsprache ist deutsch. Das Webinar wird veranstaltet von der Hamburger Patentanwaltskanzlei RGTH mit Büros in München\, Berlin und Frankfurt. \nUm Zugang zu erhalten\, senden Sie uns einfach eine formlose email an mail@aesgermany.org mit dem Betreff “Patent-Webinar”. Dann bekommen SIE erstens die Zoom Links und WIR wissen für zukünftige Planungen\, wieviel Interesse es an dem Thema Patentwesen gibt. Lassen Sie uns auch gerne wissen\, ob Sie selber im Anschluss in einer kleineren AES Germany Online Gruppe etwas Wissen oder Erfahrungen in dem Bereich teilen möchten\, u.U. auch im Rahmen eines evtl. zukünftigen AES Germany “Patent”-Kolloquiums. \nDanke im voraus! \n#####\nThe webinar language is German. The webinar is hosted by the german patent law firm RGTH. \nPlease send us an informal email to mail@aesgermany.org with the subject “Patent Webinar”. Then YOU will get the free access links and WE will know for future planning how many people are interested in the subject of patents. Also\, please let us know if you would like to share some knowledge or experience in this area in the context of a possible future AES Germany colloquium. \nThanks in advance! \n 
URL:https://aesgermany.org/event/rgth-webinar-einheitspatent-und-einheitliches-patentgericht
LOCATION:Online Zoom
END:VEVENT
END:VCALENDAR