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DTSTART;TZID=Europe/Berlin:20230403T000000
DTEND;TZID=Europe/Berlin:20230403T235959
DTSTAMP:20260501T162512
CREATED:20230402T161716Z
LAST-MODIFIED:20230402T161717Z
UID:1987-1680480000-1680566399@aesgermany.org
SUMMARY:CfP Submission Deadline for AES International Conference on Spatial and Immersive Audio
DESCRIPTION:
URL:https://aesgermany.org/event/cfp-submission-deadline-for-aes-international-conference-on-spatial-and-immersive-audio
END:VEVENT
BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230404T170000
DTEND;TZID=Europe/Berlin:20230404T183000
DTSTAMP:20260501T162512
CREATED:20230219T190000Z
LAST-MODIFIED:20230404T210644Z
UID:1787-1680627600-1680633000@aesgermany.org
SUMMARY:AES Germany Research Colloquium #3: The Williams Tree
DESCRIPTION:The new AES Germany Research Colloquium aims to provide a platform to discourse on a specific audio topic and create a bridge between basic research\, manufacturers and users in audio technology. \nThe Williams Tree\, the True 3D Audio Main Microphone Array designed to replace the much-overrated Decca Tree\nThe ‘Williams Tree’\, is based on the process of segmentation of the sound field around us\, each segment being covered by the corresponding pair of microphones within an array. A different approach must be adopted for each part of the 3D coverage – the surround sound segments\, the side height coverage\, and the top zenith zone coverage. This 3D audio array has been developed over a period of about 30 years\, and is a carefully constructed array of microphones covering each segment of the sound field\, and producing a smooth and accurate natural sound image of the complete spatial image around us. This can be limited to only the upper hemisphere\, or it can also cover the lower part of the sound image below the surround sound layer of microphones. The quality of the complete 3D sound image is infinitely superior to the Decca Tree\, and promises to become the standard approach to the recording and the reproduction of 3D Audio. However\, it must not be forgotten that the recording array is only half the problem\, equal attention must be given to the loudspeaker configuration\, if optimum results are to be obtained. \nThe idea for the Decca Tree started in the 1950s in the early days of Stereophonic Recording. Due to Angular Distortion of the reproduced stereo recordings\, people came to the conclusion that there seemed to be a hole in the centre of the stereo image. It was therefore quite logical to introduce a third microphone\, pan-potted to the centre. In those days\, this was seemingly a satisfactory solution to the stereo reproduction problem. But in fact\, the Decca Tree was little more than a set of pan-potted omnidirectional microphones. The introduction of the Decca Tree into surround sound recording and later into 3D or immersive sound recording and reproduction\, but with no real psychoacoustic analysis of real segment reproduction\, was a completely unsatisfactory approach to trying to record and reproduce the spacial aspects of sound. \nMore information:\n\nConvention Paper: MMAD — Designing for Height – Practical Configurations\nConvention e-Brief: The “Williams Star” Microphone Array Support System\nConvention Paper: Migration of 5.0 Multichannel Microphone Array Design to Higher Order MMAD (6.0\, 7.0 & 8.0) with or Without the Inter-Format Compatibility Criteria. (Open access)\nConvention Paper: The Whys and Wherefores of Microphone Array Crosstalk in Multichannel Microphone Array Design (Open access)\n\nMichael Williams – Freelance Sound Recording Engineer and Lecturer\, Sounds of Scotland\n \nAfter studying mathematics and physics at Queens University in Belfast\, Northern Ireland\, Michael Williams started his professional career in the Technical Operations department at the BBC Television Studios in London in 1960. In 1965 he moved to France to work for ‘Societe Audax’ in Paris developing loudspeakers for professional sound and television broadcasting\, and later worked for the ‘Conservatoire National des Arts et Metiers’ as Chief Engineer in the adult education television service. Whilst at the Conservatoire he created a full time yearly training course in ‘les Métiers et Techniques de l’Audiovisuel’. In relation to this course he was in charge of training sessions at the CNAM in all aspects of the Audio Visual Industry. During this period he also worked as Consultant Engineer to the Research Laboratories « Brigitte Fribourg » for the Training of the Handicaped for reinsertion into the normal working environment. \nIn 1980 he became a free-lance instructor in Audio Engineering and Sound Recording Practice\, working for most of the major French national television and sound broadcasting companies\, as well as many training schools and institutions. \nHe is an active member of the Audio Engineering Society\, Fellow of the Audio Engineering Society\, former Governor\, and served on the AES French Section Committee from 1987 to 2009. He was Papers Chair at the Paris Conventions in 1991 and 2000\, Convention Secretary in 1995 and Papers Cochair in 2006. \nDuring this period Michael Williams has continued his career as a free-lance sound recording and research engineer\, and has published many papers on Stereo\, Multichannel and 3D Microphone Array Recording Systems over the past twenty five years\, leading to the publication of three books on the subject of Microphone Array Design. \nJoin Meeting\nThe colloquium will be held in English with a presentation of 60 minutes\, followed by a 30-minute discussion. \nLink to register in advance for this meeting. After registering\, you will receive a confirmation email containing information about joining the meeting. \nThe Meeting Format: We will be hosting this meeting using Zoom. After registering\, you will receive a confirmation email containing information about joining the webinar. For most participants\, audio and video are muted during the presentation. In the discussion they can be unmuted (indicated by the raised hand function). This will be explained again at the beginning of the meeting. For a better quality we suggest to use a headset with microphone. The presentation will be recorded. By turning on your camera you are consenting for your image to be used in a photograph of the event.
URL:https://aesgermany.org/event/aes-germany-research-colloquium-1-2023-the-williams-tree
CATEGORIES:Research Colloquium
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230421T000000
DTEND;TZID=Europe/Berlin:20230421T235959
DTSTAMP:20260501T162512
CREATED:20230402T152939Z
LAST-MODIFIED:20230402T152940Z
UID:1973-1682035200-1682121599@aesgermany.org
SUMMARY:CfP Submission Deadline for AES 2023 International Conference on Audio Education
DESCRIPTION:AES 2023 International Conference on Audio Education Hasselt\, BelgiumCall for papers submission deadline
URL:https://aesgermany.org/event/cfp-submission-deadline-for-aes-2023-international-conference-on-audio-education
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BEGIN:VEVENT
DTSTART;VALUE=DATE:20230425
DTEND;VALUE=DATE:20230429
DTSTAMP:20260501T162512
CREATED:20230116T153126Z
LAST-MODIFIED:20230402T204753Z
UID:1726-1682380800-1682726399@aesgermany.org
SUMMARY:Frankfurt: Prolight + Sound 2023
DESCRIPTION:Frankfurt\, Messegelände \n \n[for english see below] \nAlle AES-Mitglieder und -Freunde sind herzlich eingeladen\, ein kostenloses Ticket für alle Tage zu erhalten. Bitte senden Sie uns eine E-Mail an mail(at)aesgermany.org\, um Ihren persönlichen Code zu erhalten. Wir werden – wenn gewünscht – auch ein abendliches Treffen Audio Interessierter zu organisieren\, u.U. wie letztes Jahr wieder mit dem VDT zusammen. \nHier ein paar Audio bezogene Informationen der Messeleitung: \nGet-Together am ersten Messetag: \nThemen & Events | Prolight + Sound (messefrankfurt.com) \n\nNeben Business und Weiterbildung soll sich die Branche auf der Prolight + Sound auch feiern – gemeinsam\, klangvoll und ausgelassen. Wir laden alle Besucher und Aussteller\, am ersten Messeabend ab 18 Uhr\, zum ersten „Get-together @ Prolight + Sound“ auf die Live Sound Arena bei Musik und Drinks ein. Die Teilnahme ist kostenfrei\, wir möchten Sie zu diesem Abend gerne einladen. Jeder mit einem Ticket kann hier dazustoßen.\n\nDie Codes lassen sich im Ticketshop (www.prolight-sound.com/online-ticket ) in Dauerkarten umwandeln. Die Tickets berechtigen auch zur Nutzung des ÖPNV\, sofern das Ticket in ausgedruckter Form und personalisiert mitgeführt wird (nicht übertragbar). \n  \nProAudio College \nAudio Professionals und natürlich auch alle interessierten Branchen-Newcomer haben eine neue Anlaufstelle: Das ProAudio College\, das gemeinsam mit dem Verband Deutscher Tonmeister e.V. (VDT) umgesetzt wird. \n  \nVortrag auf der Bühne \nDas Pro Audio College bietet ein viertätiges Fortbildungsangebot. Schwerpunkte des Vortragsprogramms sind aktuelle Trends in der Beschallungsszene\, Innovationen rund um Home-Studio-Produktionen sowie exklusive Schulungsmodule aus dem SQQ7-Curriculum. \n  \nDas Themenspektrum des ProAudio College gliedert sich in vier Stränge: \n  \n\nZum einen das Curriculum des Bildungsstandards SQQ7. Dieser wurde von einer breit aufgestellten Arbeitsgruppe unter der Leitung des VDT entwickelt\, definiert Lernziele für die Weiterbildung zur “geprüften Tonspezialist:in” und richtet sich an alle Fachkräfte für Veranstaltungstechnik\, die sich in Richtung Ton weiter spezialisieren möchten.\n\n\nSQQ7 wurde auf der Prolight + Sound 2022 vom VDT und der Interessengemeinschaft Veranstaltungswirtschaft vorgestellt und beinhaltet u.a. Schwerpunkte wie Hörtraining\, physikalische Grundlagen der Akustik\, Signalquellen und Signalverarbeitung\, Netzwerktechnik und Intercom-Systeme.\n\n\nAktuelle Aufgaben in der Beschallungsszene stehen im zweiten Themenstrang auf der Agenda. Wie kann man eine gute Beschallung in einem anspruchsvollen Raum realisieren? Worauf sollte ein Beschallungsneuling besonders achten? Was sind die neuesten Entwicklungen in der Branche?\n\n\nIm dritten Themenbereich geht es um Produktionen in Heim- und Projektstudios. Hier geht es um die wichtigen Kernfragen\, die sich jedem Studiobetreiber bei Produktionen stellen.\n\n\nDer vierte Strang beschäftigt sich mit der beruflichen Zukunftsplanung und gibt Tipps für Berufseinstiger\n\nDie Teilnehmer erhalten eine schriftliche Bestätigung über das erworbene Wissen. \nDie Vorträge werden teilweise in deutscher und teilweise in englischer Sprache gehalten. \n  \nLocation: Raum „Transparenz 1“\, Portalhaus Ebene 1 \n  \n\n\n\n\n\n\n \n\n\n\nAll AES members and friends are invited to receive a free ticket for all days. Please send us an email to mail(at)aesgermany.org to receive your personal code. We will – if desired – also organize a Get-Together of audio interested people\, possibly like last year again together with the VDT. \n\n\n\nHere is some additional information from the show management: \n\n\n\nGet-Together on the first day of the fair: \n\n\n\nTopics & Events | Prolight + Sound (messefrankfurt.com) \n\n\n\nIn addition to business and continuing education\, the industry should also celebrate each other at Prolight + Sound – together\, sonically and exuberantly. We invite all visitors and exhibitors to the first “Get-together @ Prolight + Sound” on the first evening of the trade fair\, starting at 6 p.m.\, at the Live Sound Arena with music and drinks. The participation is free of charge\, we would like to invite you to this evening. Anyone with a ticket can join us here. \n\n\n\nThe codes can be converted into season tickets in the ticket store (www.prolight-sound.com/online-ticket). The tickets also entitle you to use public transport\, provided that the ticket is printed out and personalized (non-transferable). \n\n\n\nProAudio College \n\n\n\nAudio professionals and\, of course\, all interested industry newcomers have a new place to go: the ProAudio College\, which is being implemented together with the Verband Deutscher Tonmeister e.V. (VDT). \n\n\n\nLecture on stage \n\n\n\nThe Pro Audio College offers a four-day advanced training program. The lecture program will focus on current trends in the sound reinforcement scene\, innovations related to home studio productions\, and exclusive training modules from the SQQ7 curriculum. \n\n\n\nThe ProAudio College’s range of topics is divided into four strands: \n\n\n\nFirst\, the curriculum of the SQQ7 educational standard. This was developed by a broad-based working group under the leadership of the VDT\, defines learning objectives for further training as a “certified sound specialist” and is aimed at all event technology professionals who wish to specialize further in the field of sound.SQQ7 was presented at Prolight + Sound 2022 by the VDT and the Interessengemeinschaft Veranstaltungswirtschaft and includes key areas such as hearing training\, physical principles of acoustics\, signal sources and signal processing\, network technology and intercom systems.Current tasks in the sound reinforcement scene are on the agenda in the second topic strand. How can a good sound reinforcement be realized in a demanding room? What should a newcomer to sound reinforcement pay particular attention to? What are the latest developments in the industry?The third topic area is about productions in home and project studios. Here\, we deal with the important core questions that every studio operator faces during productions.The fourth strand deals with career planning for the future and provides tips for career entrants.The participants receive a written confirmation of the acquired knowledge. \n\n\n\nThe lectures will be held partly in German and partly in English. \n\n\n\nLocation: Room “Transparency 1”\, Portalhaus Level 1
URL:https://aesgermany.org/event/frankfurt-pro-light-sound-2023
LOCATION:Messe Frankfurt\, Ludwig-Erhard-Anlage 1\, Frankfurt am Main\, 60327
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230426T000000
DTEND;TZID=Europe/Berlin:20230426T235959
DTSTAMP:20260501T162512
CREATED:20230425T215057Z
LAST-MODIFIED:20230425T215058Z
UID:2061-1682467200-1682553599@aesgermany.org
SUMMARY:Tag gegen Lärm / International Noise Awareness Day
DESCRIPTION:Mach’ mal leise !\n\n\n\n\n\n\n\nhttps://www.tag-gegen-laerm.de/start
URL:https://aesgermany.org/event/tag-gegen-larm-international-noise-awareness-day
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230426T150000
DTEND;TZID=Europe/Berlin:20230426T200000
DTSTAMP:20260501T162512
CREATED:20230402T185633Z
LAST-MODIFIED:20230402T185634Z
UID:2002-1682521200-1682539200@aesgermany.org
SUMMARY:Tag gegen Lärm im Institut für Schallforschung (ISF) der ÖAW
DESCRIPTION:Sehr geehrte Damen und Herren\, \n\n\n\nWir laden Sie zum Tag gegen Lärm in das Institut für Schallforschung (ISF) der ÖAW ein. \n\n\n\nSeit 2015 beteiligt sich das ISF am Internationalen Tag gegen Lärm. Auch heuer sind wir mit mehr als zwei Dutzend Stationen über drei Geschosse verteilt an diesem Aktionstag dabei. Wann ist Schall Klang und wann Lärm? \n\n\n\nWir laden Sie und Ihre Familie ein unsere zahlreichen interaktiven Stationen auszuprobieren. Unsere Wissenschaftlerinnen und Wissenschaftler werden Ihnen einen Einblick in ihre Forschung geben. \n\n\n\nWir freuen uns über unsere Kooperationspartner BMK und Umweltbundesamt\, Center for Mobility Systems des AIT\, AUVA\, DI Joachim Jira\, Dr. med. univ. Lukas Landegger\, Institut für Verkehrswissenschaften der TU-Wien\, Institut für Musikwissenschaft der Uni Wien\, sowie MED-EL\, die mit ihrer Beteiligung unseren Aktionstag bereichern. \n\n\n\nTermin:26.4.202315:00-20:00 Uhr \n\n\n\nOrt:Institut für Schallforschung der ÖAWWohllebengasse 12-141040 Wien \n\n\n\nWeitere Informationen und Einladung. \n\n\n\n—AES AUSTRIA – VEREIN ZUR FÖRDERUNG DER KOMMUNIKATION ÖSTERREICHISCHER AUDIOTECHNIKERAES Austria WebsiteAES Austria auf Facebook
URL:https://aesgermany.org/event/tag-gegen-larm-im-institut-fur-schallforschung-isf-der-oaw
LOCATION:Institut für Schallforschung der ÖAW\, Wohllebengasse 12-14\, Wien\, 1040\, Austria
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230427T180000
DTEND;TZID=Europe/Berlin:20230427T230000
DTSTAMP:20260501T162512
CREATED:20230423T173210Z
LAST-MODIFIED:20230426T103840Z
UID:2049-1682618400-1682636400@aesgermany.org
SUMMARY:AES/VDT Get-Together @ Studios 301
DESCRIPTION:***english below*** \n\n\n\n \n\n\n\nVDT Get-Together @ Studios 301 \n\n\n\n27. April 2023 | from 18:00 o’clock \n\n\n\nHanauer Landstraße 172\, Frankfurt \n\n\n\n_________ \n\n\n\nLiebe Audiointeressierten der Region Frankfurt und Besucher der prolight+sound\, \n\n\n\nkommende Woche findet auf der Messe Frankfurt wieder die prolight+sound statt\, unter anderem mit Programm vom VDT\, dessen Regionalgruppenleitung Niels Reckziegel uns zusammen mit Ulli Schiller von der neuen Dependance der renommierten und legendären “Studios 301“  \n\n\n\nzum VDT Get-Together am 27. April 2023 ab 18:00 in die Hanauer Landstraße 172 willkommen heißt. Es gibt dort auch eine Kleinigkeit zu Essen und Trinken. Ingo Weismantel und ich würden uns sehr freuen\, den ein oder anderen von euch dort zu sehen!ANMELDUNG:Bitte meldet euch bei Interesse bei \n\n\n\n mir über frankfurt@aesgermany.org kurz an\, damit wir die Teilnehmeranzahl abschätzen können. \n\n\n\nWir freuen uns auf eure Anmeldungen! \n\n\n\nMit besten GrüßenTill Gerneth \n\n\n\n***english*** \n\n\n\nDear audio interested people of the Frankfurt region and visitors of the prolight+sound\,next week the prolight+sound will take place again at the Frankfurt fair\, among other highlights with a program from the VDT (Verband Deutscher Tonmeister = Association of German Sound Engineers)\, whose regional group leader Niels Reckziegel together with Ulli Schiller from the new branch of the legendary and renowned “Studios 301” also welcomes us to the VDT Get-Together on April 27\, 2023 from 18:00 at Hanauer Landstraße 172. There will also be a little something to eat and drink there. Ingo Weismantel and I would be very happy to see one or the other of you there!REGISTRATION:If you are interested\, please contact me via  \n\n\n\nfrankfurt@aesgermany.org so that we can estimate the number of participants.We are looking forward to your registrations!With best regardsTill Gerneth \n\n\n\n \n\n\n\nTill GernethAES Germany – Frankfurt Regional Group Leaderfrankfurt@aesgermany.org \n\n\n\nAudio Engineering SocietySection Germanymail@aesgermany.orgwww.aesgermany.org@2023
URL:https://aesgermany.org/event/vdt-get-together-studios-301
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