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DTSTART;TZID=Europe/Berlin:20230526T000000
DTEND;TZID=Europe/Berlin:20231031T235959
DTSTAMP:20230606T014426Z
CREATED:20230606T013751Z
LAST-MODIFIED:20230606T014426Z
UID:2152-1685059200-1698796799@aesgermany.org
SUMMARY:Ausstellung MKG Hamburg: Can You Hear It?
DESCRIPTION:Musik und Künstliche Intelligenz \n\n\n\n\n\n\n\n\n\nhttps://www.mkg-hamburg.de/ausstellungen/can-you-hear-it
URL:https://aesgermany.org/event/ausstellung-mkg-hamburg-can-you-hear-it
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230906T000000
DTEND;TZID=Europe/Berlin:20230908T235959
DTSTAMP:20230329T180708Z
CREATED:20230329T175844Z
LAST-MODIFIED:20230329T180708Z
UID:1962-1693958400-1694217599@aesgermany.org
SUMMARY:AES 2023 International Conference on Audio Education Hasselt\, Belgium
DESCRIPTION:The AES is the only professional society devoted exclusively to audio technology. Its conferences are highly regarded from academia to industry\, and bring together the foremost stakeholders and subject experts in one specific branch of audio.Following successful Audio Education conferences in Glasgow\, UK and Tennessee\, USA\, this year’s gathering is expected to draw educators from all over Europe and beyond. \n\n\n\nThe 2023 International Conference on Audio Education offers a varied three-day program with peer-reviewed paper presentations\, keynote presentations\, workshops\, panels\, sponsor booths\, technical tours and social events. Spanning all areas of audio engineering\, the theme is relevant to every type of education institution as well as manufacturers. \n\n\n\nThe host institution is PXL-Music\, Belgium’s pop and rock school which offers studio and live engineering courses\, and houses a research center with focuses on sound education\, immersive audio\, artificial intelligence and data science for the music industry. \n\n\n\nmore details \n\n\n\nCall for papers submission deadline:  April 21\, 2023
URL:https://aesgermany.org/event/aes-2023-international-conference-on-audio-education-hasselt-belgium
LOCATION:PXL-Music\, PXL University of Applied Sciences and Arts Hasselt\, Belgium\, Elfde-Liniestraat 24\, Hasselt\, 3500\, Belgium
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BEGIN:VEVENT
DTSTART;TZID=Europe/Berlin:20230919T170000
DTEND;TZID=Europe/Berlin:20230919T183000
DTSTAMP:20230920T051752Z
CREATED:20230715T151506Z
LAST-MODIFIED:20230920T051752Z
UID:2202-1695142800-1695148200@aesgermany.org
SUMMARY:AES Germany Research Colloquium #5: Gain Sharing Automatic Microphone Mixing
DESCRIPTION:The new AES Germany Research Colloquium aims to provide a platform to discourse on a specific audio topic and create a bridge between basic research\, manufacturers and users in audio technology. \n\n\n\nGain Sharing Automatic Microphone Mixing\n\n\n\nDan Dugan will recount how the gain sharing algorithm was invented through persistent experimentation and an astonishing stroke of good luck. He will explain its simple calculations. A real-time demonstration will illustrate the almost magical result of the simple math. \n\n\n\nDan Dugan – CEO Dan Dugan Sound Design\n\n\n\n\n\n\n\nWhen Dan was a child\, his parents took him to theater and concerts. He always wanted to go backstage to see the light board. In his teens he built a huge model circus and two small pipe organs. He was very active in music\, singing bass in choruses\, madrigal groups\, and his church choir. Dan studied math and physics in college but dropped out to work full-time in the theater doing lighting. That became his first career.At age 24 Dan specialized in theater sound\, working at the Old Globe in San Diego and ACT in San Francisco. The title “Sound Designer” was created in 1968 “to describe what Dan Dugan does.” He also provided sound services for eight seasons of the Mondavi Jazz Festival and engineered several independent record albums.Dan demonstrated the first effective automixer at the New York AES in 1974. Today his invention is commonly used (but not heard) in conferences\, talk shows\, news panels\, sports panels\, and election debates. The Cinema Audio Society gave Dan their 2018 Outstanding Product award. He received an Engineering Emmy in 2020.Dan does scientific research in the national parks\, making longitudinal studies of soundscapes over time. He works in his laboratory in San Francisco\, manufacturing his inventions and editing his immersive soundscape recordings. \n\n\n\nMore information\n\n\n\n\nCompany Website\n\n\n\nother Professional Website Nature Sounds.org\n\n\n\nPaper: Application of Automatic Mixing Techniques to Audio Consoles\n\n\n\nPaper: Automatic Microphone Mixing\n\n\n\n\nJoin Meeting\n\n\n\nThe colloquium will be held in English with a presentation of 60 minutes\, followed by a 30-minute discussion. \n\n\n\nLink to register in advance for this meeting. After registering\, you will receive a confirmation email containing information about joining the meeting. \n\n\n\nThe Meeting Format: We will be hosting this meeting using Zoom. After registering\, you will receive a confirmation email containing information about joining the webinar. For most participants\, audio and video are muted during the presentation. In the discussion they can be unmuted (indicated by the raised hand function). This will be explained again at the beginning of the meeting. For a better quality we suggest to use a headset with microphone. The presentation will be recorded. By turning on your camera you are consenting for your image to be used in a photograph of the event.
URL:https://aesgermany.org/event/aes-germany-research-colloquium-5-gain-sharing-automatic-microphone-mixing
LOCATION:Online Zoom
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